Jupiter’s colorful cloud bands alternate between dark belts and light zones. The bands mark convection cells in Jupiter’s atmosphere, and, like on Earth, powerful jet streams form due to this atmospheric heating and the planet’s rotation. The jet winds can even move in opposite directions, creating strong shear forces between neighboring cloud bands. The shear helps drive Kelvin-Helmholtz instabilities in the clouds, resulting in the regularly spaced waves and vortices seen along the edges of some bands. (Image credit: NASA/ESA; via APOD)
Search results for: “shear”

Waves Over the Rockies
These spectacular wave-like clouds are the result of the Kelvin-Helmholtz instability. When two layers of air move past one another at different velocities, an unstable shear layer forms at their interface. Disturbances in this shear layer grow exponentially, creating these short-lived overturning waves that quickly turn turbulent. The strong resemblance of these clouds to breaking ocean waves is no coincidence–the Kelvin-Helmholtz instability occurring between the wind and water is what generates many ocean waves. Kelvin-Helmholtz patterns are also common on other planets, like Jupiter, Saturn, and Mars. (Image credit: Breckenridge Resort; submitted by jshoer)

Wave Clouds Over the Galapagos
This dramatic example of Kelvin-Helmholtz clouds was taken near the Galapagos Islands last week. The shark-fin-like clouds are the result of two air layers moving past one another. The velocity difference at their interface creates an unstable shear layer that quickly breaks down. The resemblance of the clouds to breaking ocean waves is no coincidence – the wind moving over the ocean’s surface generates waves via the same Kelvin-Helmholtz instability. In the case of the clouds above, the lower layer of air was moist enough to condense, which is why the pattern is visible. Clouds like these don’t tend to last for long because the disturbances that drive the instability grow exponentially quickly, leading to turbulence. (Image credit: C. Miller; via Washington Post; submitted by @jmlinhart)
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The Kelvin-Helmholtz Instability
The Kelvin-Helmholtz instability is a pattern frequently found in nature. It has a distinctive shape, like a series of breaking ocean waves that curl over on themselves to create a string of vortices. The instability shows up when there is a velocity difference between two fluid layers. The unequal shear between the two layers magnifies any disturbance to their interface, which manifests in the fractal, overturning whorls seen in the numerical simulation above. You can find the Kelvin-Helmholtz instability in the lab, in the sky, in the ocean, on Jupiter and Mars–even on the sun! For more information on the methods used to create the simulation above, check out the full paper. (Video and research credit: K. Schaal et al.)

Sharkskin Instability
Homemade spaghetti noodles exhibit a roughened surface that’s the result of viscoelastic behavior known as the sharkskin instability. It’s usually observed in the industrial extrusion of polymer plastics. In the case of spaghetti, the long, complex polymer molecules necessary for the instability come from the proteins in eggs. The characteristically rough surface of the extruded material is caused by the transition from flow through the die to air. Inside the die, friction from the walls exerts a strong shear force on the outer part of the fluid while the inner portion flows freely. When the material exits the die, the sudden lack of friction on the outer portion of the fluid causes it to accelerate to the same velocity as the middle of the flow. This acceleration stretches the polymers until they snap free of the die; after the strained polymers relax, the material keeps a rough, saw-tooth pattern. In industry, the sharkskin instability can be prevented by regulating temperature or flow speed. In the case of spaghetti, though, Modernist Cuisine suggests the roughness is desirable because it helps trap the pasta sauce. Bon appetit! (Image credit: Modernist Cuisine)

How Eyelashes Work
New research shows that eyelashes divert airflow around the eye, serving as a passive filter that reduces dust collection and controls evaporation. Mammal hairs in places like the nose act as ram filters that trap the particles that hit them and which require regular cleaning via sneezing. Eyelashes, on the other hand, prevent dust collection by altering airflow at the surface of the eye. At the optimal length of roughly 1/3rd the width of an eye, eyelashes create a stagnation zone near the eye surface that forces air to travel above rather than through the eyelashes. This results in lower shear stress and lower flow speeds at the eye surface, both of which help reduce evaporation and shield the eye from dust. Lashes can get too long, though; the researchers found that longer lashes tended to channel higher flow speeds toward the eye surface, leading to faster evaporation rates. Thus, donning longer fake eyelashes may dry out your eyes. (Image credit: G. Diaz Fornaro; research credit: G. Amador et al.; via skunkbear)

Kelvin-Helmholtz Clouds
When differing layers of fluid move past one another, friction between them causes shear. This shear quickly transforms a simple flat interface between fluid layers into a wavy unstable boundary that resembles a series of breaking ocean waves. This effect is known as the Kelvin-Helmholtz (KH) instability. In the atmosphere, this instability causes air layers with differing temperatures and moisture content to form wave-like clouds where the two layers meet. Other examples of the effect are widespread. On earth, many ocean waves are generated by wind shearing the water; elsewhere in our solar system, the cloud bands of Jupiter are lined with spinning eddies from the KH instability. (Photo credit: H. Bondo)

The Kaye Effect
Those who have poured viscous liquids like syrup or honey are familiar with how they stack up in a rope-like coil, as shown in the top row of images above. What is less familiar, thanks to the high speed at which it occurs, is the Kaye effect, which happens in fluids like shampoo when drizzled. Shampoo is a shear-thinning liquid, meaning that it becomes less viscous when deformed. Like a normal Newtonian fluid, shampoo first forms a heap (bottom row, far left). But instead of coiling neatly, the heap ejects a secondary outgoing jet. This occurs when a dimple forms in the heap due to the impact of the inbound jet. The deformation causes the local viscosity to drop at the point of impact and the jet slips off the heap. The formation is unstable, causing the heap and jet to collapse in just a few hundred milliseconds, at which point the process begins again. (Image credit: L. Courbin et al.)

Undulatus Asperatus
This surrealistic timelapse doesn’t show an ocean in the sky. These are undulatus asperatus clouds rolling over Lincoln, Nebraska. Also known simply as asperatus, this cloud formation has been proposed as but not yet recognized as a distinctive cloud type. Their speed is much slower than shown in the animation, but the wave-like motion is accurate and is the source of the cloud’s name, which comes from the Latin word aspero, meaning to make rough. Though they appear stormy, asperatus clouds do not usually produce storms. They form under conditions similar to those of mammatus clouds, but wind shear at the cloud level causes the undulations to form. (Maybe some Kelvin-Helmholtz instabilities going on there?) You can check out many more images of asperatus clouds at the Cloud Appreciation Society’s gallery. (Image credit: A. Schueth, source video; submitted by leftcoastjunkies)

“Smoke”
Ethereal forms shift and swirl in photographer Thomas Herbich’s series “Smoke”. The cigarette smoke in the images is a buoyant plume. As it rises, the smoke is sheared and shaped by its passage through the ambient air. What begins as a laminar plume is quickly disturbed, rolling up into vortices shaped like the scroll on the end of a violin. The vortices are a precursor to the turbulence that follows, mixing the smoke and ambient air so effectively that the smoke diffuses into invisibility. To see the full series, see Herbich’s website. (Image credits: T. Herbich; via Colossal; submitted by @jchawner, @__pj, and Larry B)
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