NPR’s Skunk Bear Tumblr has a great new video on the schlieren visualization technique. The schlieren optical set-up is relatively simple but very powerful, as shown in the video. The technique is sensitive to variations in the refractive index of air; this bends light passing through the test area so that changes in fluid density appear as light and dark regions in the final image. Since air’s density changes with temperature and with compressibility, the technique gets used extensively to visualize buoyancy-driven flows and supersonic flows. Since sound waves are compression waves which change the air’s density as they travel, schlieren can capture them, too. (Video credit: A. Cole/NPR’s Skunk Bear)
Search results for: “waves”

“High Ball Stepper”
The recently released music video for Jack White’s “High Ball Stepper” is a fantastic marriage of science and art. The audio is paired with visuals based around vibration effects using both granular materials and fluids. There are many examples of Faraday waves, the rippling patterns formed when a fluid interface becomes unstable under vibration. There are also cymatic patterns and even finger-like protrusions formed by when shear-thickening non-Newtonian fluids get agitated. (Video credit: J. White, B. Swank and J. Cathcart; submitted by Mike and Marius)

Kelvin Wakes
Ducks, boats, and other objects moving along water create a distinctive V-shaped pattern known as a Kelvin wake. As the boat moves, it creates disturbance waves of many different wavelengths. The constructive interference of the slower waves compresses them into the shock wave that forms either arm of the V. Sometimes evenly spaced wavelets occur along the arms as well. Between the arms are curved waves that result from other excited wave components. The pattern was first derived by Lord Kelvin as universally true at all speeds – at least for an ideal fluid – but practically speaking, water depth and propeller effects can make a difference. Recently, some physicists have even suggested that above a certain point, an object’s speed can affect the wake shape, but this remains contentious. (Image credit: K. Leidorf; via Colossal; submitted by Peter)

How Tsunamis Cross the Ocean
Last week an earthquake in Chile raised concerns over a possible tsunami in the Pacific. This animation shows a simulation of how waves would spread from the quake’s epicenter over the course of about 30 hours. In the open ocean, a tsunami wave can travel as fast as 800 kph (~500 mph), but due to its very long wavelength and small amplitude (< 1 m), such waves are almost unnoticeable to ships. It’s only near coastal areas, when the water shallows, that the wave train slows down and increases in height. Early in the video, the open ocean wave heights are only centimeters; note how, at the end of the video, the wave run-up heights along the coast are much larger, including the nearly 2 meter waves that impacted Chile. The power of the incoming waves in a tsunami are not their only danger, though; the force of the wave getting pulled back out to sea can also be incredibly destructive. (Video credit: NOAA/NWS/Pacific Tsunami Warning Center; via Wired)

Coalescence
The coalescence of two liquid droplets takes less than the blink of an eye, but it is the result of an intricate interplay between surface tension, viscosity, and inertia. The high-speed video above was filmed at 16000 frames per second, yet the initial coalescence of the silicone oil drops is still nearly instantaneous. At the very instant the drops meet, an infinitesimally small neck is formed between the droplets. Mathematically speaking, the pressure and curvature of the droplets diverge as a result of this tiny contact area. This is an example of a singularity. Surface tension rapidly expands the neck, sending capillary waves rippling along the drops as they become one. (Video credit: S. Nagel et al.; research credit: J. Paulsen)

“Wallwave Vibration”
Loris Cecchini’s “Wallwave Vibration” series is strongly reminiscent of Faraday wave patterns. The Faraday instability occurs when a fluid interface (usually air-liquid though it can also be two immiscible liquids) is vibrated. Above a critical frequency, the flat interface becomes unstable and nonlinear standing waves form. If the excitation is strong enough, the instability can produce very chaotic behaviors, like tiny sprays of droplets or jets that shoot out like fountains. In a series of fluid-filled cells, the chaotic behaviors can even form synchronous effects above a certain vibration amplitude. (Image credit: L. Cecchini; submitted by buckitdrop)

Sand Ripples
Wave motion in a bay or near a beach can cause significant sediment transport. Individual granular particles, like sand, can be lifted by the passage of a single wave, but, over time, complex patterns form as the granular bottom surface shifts due to the waves. This video shows time-lapse footage of the ripples that form and move in submerged sand during many hours of wave motion. A slight imperfection in the surface causes a network of sand ripples to grow and spread. Once formed, those ripples shift and reform depending on changes in the wave conditions. (Video credit: T. Parron et al.)

Tidal Bore
The daily ebb and flood of the tides results from the competing forces of the Earth’s rotation and the sun and moon’s gravitational pull on the oceans. In a few areas, the local topography funnels the incoming water into a tidal bore with a distinctive leading edge. The photo above comes from the Turnagain Arm of the Cook Inlet in Alaska, where bore tides can reach a height of 7 ft and move as quickly as 15 mph. For surfers, the bore can provide a long ride–40 minutes in this case–but they can be extremely dangerous as well. Bore tides are associated with intense turbulence capable of ripping out moorings and structures; the waves are often accompanied by a roar caused by air entrainment, impact on obstacles, and the erosion of underlying sediment. (Photo credit: S. Dickerson/Red Bull Illume; via Jennifer Ouellette)

Fluids Round-up – 11 January 2014
It’s a big fluids round-up today, so let’s get right to it.
- Over at txchnologist, there’s a great article on controlling combustion instabilities in rocket engines with sound.
- Quanta Magazine asks if knot theory can help unravel turbulence. (submitted by iamaponyrocket)
- SciAm takes a look at how FIFA finally got their aerodynamics right so that their video game football (soccer) balls fly correctly.
- The Smithsonian considers an important question: can you fry foods in space?
- The Navy unveiled a fantastic new facility for simulating ocean waves (via J. Ouellette)
- At SciAm, there’s a nice explanation of the polar vortex and its effects on recent freezing weather. For additional background, check out this excerpt from a presentation by meteorology professor Jennifer Francis. (via Nicholas Travers)
- Cold weather also brings a host of new viral videos; NatGeo explains some of the science behind instant snow, ice fog, and frozen bubbles. See also: our own explanation of the instant snow phenomenon.
- io9 looks at the physics of knuckleballs.
- Over at Wired, Rhett Allain questions whether dwarves should stand in floating barrels. Also on the subject of The Hobbit, here’s an analysis of fire-breathing in dragons.
- At SciAm, Kyle Hill explains how inertia lets one pour a drink toward the sky.
- SciAm reports on a manufacturing process for superhydrophobic paper.
- I don’t know what banking has to do with a pool of non-Newtonian fluids, but this Malaysian ad sure makes it look fun. (via physicsphysics and jmlinhart)
- Wired has a great write-up on the mantis shrimp, which kills its prey with cavitation.
- io9 tackles explaining one of the most vexing brain teasers in fluid dynamics, the Feynman sprinkler.
- Finally, today’s lead image comes from our friends at Think Elephants, who study elephant intelligence over in Thailand and occasionally capture the animals’ mastery of fluid dynamics. Be sure to check them out and follow them on Twitter and Facebook.
(Photo credit: Think Elephants International/R. Shoer)

Acoustic Levitation in Three Dimensions
Acoustic sound is a form of pressure wave propagating through air or another fluid. Place a speaker opposite a plate, and its sound will reflect off the surface. The original pressure wave and its reflection form a standing wave. With intense enough sound waves, the acoustic radiation pressure can be large enough to counter the force of gravity on an object, causing it to levitate. We’ve shown you several examples of acoustic levitation before, including squished and vibrating droplets and applications for container-free mixing. Today’s video, however, shows the first acoustic levitation system capable of manipulating objects in three dimensions, an important step in developing the technology for application. (Video credit: Y. Ochiai et al.; via NatGeo)


