If you sandwich a viscous fluid between two plates and inject a less viscous fluid, you’ll get viscous fingers that spread and split as they grow. This research poster depicts that situation with a slight twist: the viscous fluid (transparent in the image) is shear-thinning. That means its viscosity drops when it’s deformed. In this situation, the fingers formed by the injected (blue) fluid start out the way we’d expect: splitting as they grow (inner portion of the composite image). But then, the tip-splitting stops and the fingers instead elongate into spikes (middle ring). Eventually, as the outer fluid’s viscosity drops further, the fingers round out and spread without splitting (outer arc of the image). (Image credit: E. Dakov et al.; via GoSM)
Tag: instability
“Ferro Field”
Ferrofluid forms a labyrinth of blobs and lines against a white background in this award-winning photo by Jack Margerison. Ferrofluids are a magnetically-sensitive fluid, typically created by suspending magnetic nanoparticles in oil. Depending on the ferrofluid’s surroundings that and the applied magnetic field, all sorts of patterns are possible from spiky crowns to wild mazes. (Image credit: J. Margerison from CUPOTY; via Colossal)
Dendritic Painting Physics
In the art of Akiko Nakayama, colors branch and split in a tree-like pattern. In studying the process, researchers found the physics intersected art, soft matter mechanics, and statistical physics. In dendritic painting, the process starts with an underlying layer of acrylic paint, diluted with water. Atop this wet layer, you place a drop of acrylic ink mixed with isopropyl alcohol.
The combination of both layers is key. The alcohol-acrylic drop on a Newtonian substrate will show spreading, driven by Marangoni forces, but no branching. It’s the slightly shear-thinning nature of the diluted acrylic paint substrate that allows dendrites to form. As the overlying drop expands, it shears the underlayer, changing its viscosity and allowing the branches to form. You can see video of the process here. (Image credit: A. Nakayama; research credit: S. Chan and E. Fried; via Physics World)
Simeis 147
Sometimes known as the Spaghetti Nebula, Simeis 147 is the remnant of a supernova that occurred 40,000 years ago. The glowing filaments of this composite image show hydrogen and oxygen in red and blue, respectively. These are the outlines of the shock waves that blew off the outer layers of the one-time star within. What remains of that star’s core is now a pulsar, a fast-spinning neutron star with a solar wind that continues to push on the dust and gas we see here. (Image credit: S. Vetter; via APOD)
Tornadoes in a Bucket
In nature, some powerful tornadoes form additional tornadoes within their shear layer. These subvortices revolve around the main tornado, causing massive destruction in their wake. In the laboratory, researchers create a similar multi-tornado system with a spinning disk at the bottom of a shallow, cylindrical layer of water. Depending on how fast the disk spins, different numbers of subvortices form around the main vortex.
In this poster, researchers show the transition from a 3-subvortex system to a 2-subvortex one. Starting at the 12 o’clock position and moving clockwise, we see 3 subvortices arranged in a triangle. A sudden change in the disk’s rotation speed destabilizes the system, causing the subvortices to break down and shift into a new 2-subvortex configuration. As this happens, material that was isolated in each subvortex (darker blue regions) is suddenly able to mix. That suggests that a real-world multiple vortex tornado might suddenly shed debris if it lost enough angular momentum. Back in the lab, though, the shift to a stable 2-subvortex system once again isolates material in individual subvortices and prevents it from mixing with the rest of the flow. (Image and research credit: G. Di Labbio et al. 1, 2)
“Origin”
Billowing turbulence, mushroom-like Rayleigh-Taylor instabilities, and spreading flows abound in Vadim Sherbakov’s “Origin.” The short film takes a macro looks at fluids — inks, alcohols, soaps, and other household liquids. It was filmed entirely on a DJI Pocket 2, a rather small, stabilized pocket camera. It’s a testament to what you can achieve with some experimentation and relatively inexpensive equipment. (Video and image credit: V. Sherbakov)
Convection in Action
We’re surrounded daily by convection — a buoyancy-driven flow — but most of the time it’s invisible to us. In this video, Steve Mould shows off what convection really looks like with some of his excellent tabletop demos. The first half of the video gives profile views of turbulent convection, with chaotic and unsteady patterns. When he switches to oil instead of water, the higher viscosity (and lower Reynolds number) offer a more structured, laminar look. And finally, he shows a little non-temperature-dependent convection with a mixture of Tia Maria and cream, which convects due to evaporation changing the density. (Image and video credit: S. Mould; submitted by Eric W.)
“Lucid”
Artist Roman Hill made this official music video to go with Thomas Vanz’s “Lucid.” The imagery, formed from ink and other fluids, warps our sense of scale. Though the camera focuses on an extremely small area, to our eyes the results shift from nebulas to oceans and back again. There are likely a whole host of phenomena going on here, but without knowing more about Hill’s ingredients, I can only speculate that there are Marangoni flows driven by variations in surface tension and maybe some density instabilities going on between fluid layers. I’m also fairly confident that Hill has played with time reversal in the video editing. Regardless of the secrets in its making, the film is captivating and gorgeous. (Image and video credit: R. Hill)
“Perfect Sky”
It’s all blue skies in Roman De Giuli’s short film, “Perfect Sky.” Created with paint, ink, and glitter on paper, it’s a relaxing piece of fluid art. Put on your headphones, take a deep breath, and plunge in. You’ll see lots of gorgeous Marangoni effects, some low Reynolds number mixing, and various instabilities. (Video and image credit: R. De Giuli)
Tracking Break-Up
In fluid dynamics, researchers are often challenged with complicated, messy flows. With so much going on at once, it’s hard to work out a way to keep track of it all. Here, researchers are looking at the break-up of two colliding liquid jets. This setup is often used to break rocket fuel into droplets prior to combustion. This video shows off a new data analysis tool that lets researchers break the flow into different parts, track them in time, and extract data about the changes that happen along the way. (Video and image credit: E. Pruitt et al.)
