Tag: fluids as art

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    “Monsoon 7”

    Storm-chasing photographer Mike Olbinski (previously) returns with another stunning timelapse of summer thunderstorms in the western U.S. I never tire of watching the turbulent convection, microbursts, billowing haboobs, and undulating clouds Olbinski captures. His work is always a reminder of the incredible power and energy contained in our atmosphere and unleashed in cycles of warming and cooling, evaporation and condensation. (Video and image credit: M. Olbinski)

  • Flamingo Fluid Dynamics, Part 2: The Game’s a Foot

    Flamingo Fluid Dynamics, Part 2: The Game’s a Foot

    Yesterday we saw how hunting flamingos use their heads and beaks to draw out and trap various prey. Today we take another look at the same study, which shows that flamingos use their footwork, too. If you watch flamingos on a beach, in muddy waters, or in a shallow pool, you’ll see them shifting back and forth as they lift and lower their feet. In humans, we might attribute this to nervous energy, but it turns out it’s another flamingo hunting habit.

    A mechanical model of a flamingo's foot reveals how its stomping and shape change create a standing vortex.

    As a flamingo raises its foot, it draws its toes together; when it stomps down, its foot spreads outward. This morphing shape, researchers discovered, creates a standing vortex just ahead of its feet — right where it lowers its head to sample whatever hapless creatures it has caught in this swirling vortex. And the vortex, as shown below, is strong enough to trap even active swimmers, making the flamingo a hard hunter to escape. (Image credit: top – L. Yukai, others – V. Ortega-Jimenez et al.; research credit: V. Ortega-Jimenez et al.; submitted by Soh KY)

    Video showing how active swimmers can get caught in the flamingo's stomping vortex.
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    “Soap Bubble Bonanza

    This video offers an artistic look at a soap bubble bursting. The process is captured with high-speed video combined with schlieren photography, a technique that makes visible subtle density variations in the air. The bubbles all pop spontaneously, once enough of their cap drains or evaporates away for a hole to form. That hole retracts quickly; the acceleration of the liquid around the bubble’s spherical shape makes the retracting film break into droplets, seen as falling streaks near the bottom of the bubble. The retraction also affects air inside the bubble, making the air that touched the film curl up on itself, creating turbulence. Then, as the film completes its retraction, it pushes a plume of the once-interior air upward, as if the interior of the bubble is turning itself inside out. (Video and image credit: D. van Gils)

  • The Hidden Beauty in the Mundane

    The Hidden Beauty in the Mundane

    Physicist Sidney Nagel has spent his career on topics that are somewhat unexpected: how coffee stains form, how droplets splash — or don’t, and how fluid flows into viscous fingers. Often this means looking at the mechanics of everyday occurrences that we otherwise take for granted. Instead, Nagel probes carefully at things like a coffee stain, asking why it’s darker at the edges and what he could do to keep that from happening — all to ultimately uncover the forces and mechanisms at play. Quanta has a great little interview with him on this and other topics. Check it out here. (Image credit: S. Nagel and K. Norman; via Quanta)

    Images of droplets breaking off.
    Assorted "coffee-ring" stains, where particles collect toward the contact line along the circumference of the drop.
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    “Now I See – The Collection Vol. 1”

    On the heels of his behind-the-scenes introduction, here’s the first volume of artist Roman De Giuli’s “Now I See”. In it, we appear to soar above vast colorful landscapes. Rivers flow past islands. Glaciers creep along valleys. Canyons cut through deserts. It’s like a bird’s eye view of our planet’s terrestrial wonders. (Video and image credit: R. De Giuli)

  • “Spines”

    “Spines”

    Water droplets cling to spine-covered plant life in this series from photographer Tom Leighton. The hairs are hydrophobic — notice how spherical the drops appear. Many plants make parts of their leaves and stems hydrophobic in order to redirect water toward their roots, where it can be taken in. Others use hair-like awns to collect and draw in dew that supplements their water capture. (Image credit: T. Leighton; via Colossal)

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    Creating Liquid Landscapes

    Artist Roman De Giuli excels at creating what appear to be vast landscapes carved by moving water. In reality, these pieces are small-scale flows, created on paper. Now, De Giuli takes us behind the scenes to see how he creates these masterpieces — layering, washing, burning, and repeating to build up the paperscape that eventually hosts the flows we see recorded. The work is meticulous and slow, and the results are incredible. De Giuli’s videos never fail to transport me to a calmer, more pristine version of our world. I can’t wait to see the new series! (Video and image credit: R. De Giuli)

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    “Legend”

    Filmmaker Roman De Giuli returns to his roots with this short fluid-filled film inspired by the color gold. He combines paint, ink, powders, and particles in a mix of micro- and macroscale photography. As always, the results are a mesmerizing plethora of fluid phenomena: Marangoni flows, turbulence, vorticity, viscous fingering and so much more. (Video and image credit: R. De Giuli)

  • Ghostly Waterfalls

    Ghostly Waterfalls

    Photographer Jonathan Knight likes capturing waterfalls about 45 minutes after sunset, creating ghostly images that emphasize the shape of the cascading water. The dim surroundings and misty shapes remind me of old daguerreotypes. See more of his images on his website and his Instagram. (Image credit: J. Knight; via Colossal)

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    Drops on the Edge

    Drops impacting a dry hydrophilic surface flatten into a film. Drops that impact a wet film throw up a crown-shaped splash. But what happens when a drop hits the edge of a wet surface? That’s the situation explored in this video, where blue-dyed drops interact with a red-dyed film. From every angle, the impact is complex — sending up partial crown splashes, generating capillary waves that shift the contact line, and chaotically mixing the drop and film’s liquids. (Video and image credit: A. Sauret et al.)