In “Dispersion,” particles spread under the influence of an unseen fluid. Like Roman de Giuli’s work, filmmaker Susi Sie creates macro images that look like ice floes, deserts, and river deltas viewed from above. This similarity of patterns at both large and small scales is a specialty of fluid physics. Just as artists use it to mimic larger flows, scientists use it to study planet-scale problems in the lab. (Video and image credit: S. Sie et al.)
Temperatures in the Arctic are rising faster than elsewhere, triggering more and more melting. Photographer Scott Portelli captured a melting ice shelf protruding into the ocean in this aerial image. Across the top of the frozen landscape, streams and rivers cut through the ice, leading to waterfalls that flood the nearby ocean with freshwater. This meltwater will do more than raise ocean levels; it changes temperature and salinity in these regions, disrupting the convection that keeps our planet healthy. (Image credit: S. Portelli/OPOTY; via Colossal)
Lava floods human-made infrastructure on Iceland’s Reykjanes peninsula in this aerial image from photographer Ael Kermarec. Protecting roads and buildings from lava flows is a formidable challenge, but it’s one that researchers are tackling. But the larger and faster the lava flow, the harder infrastructure is to protect. Sometimes our best efforts are simply overwhelmed by nature’s power. (Image credit: A. Kermarec/WNPA; via Colossal)
The glittering blue interior of an ice cave sparkles in this award-winning image by photographer Yasmin Namini. The cave is underneath Iceland’s Vatnajokull Glacier. Notice the deep scallops carved into the lower wall. This shape is common in melting and dissolution processes. It is unavoidable for flat surfaces exposed to a melting/dissolving flow. (Image credit: Y. Namini/WNPA; via Colossal)
The young star cluster NGC 602 sits some 200,000 light years away in the Small Magellanic Cloud. Seen here in near- and mid-infrared, the cluster is a glowing cradle of star forming conditions similar to the early universe. A large nebula, made up of multicolored dust and gas, surrounds the star cluster. Its dusty finger-like pillars could be an example of Rayleigh-Taylor instabilities or plumes shaped by energetic stellar jets. (Image credit: NASA/ESA/CSA/JWST; via Colossal)
Thomas Blanchard’s short film “The Ballet of Colors” plunges viewers into a warm spectrum of roiling oil and paint. Fluid dynamically speaking, it could be subtitled “the Plateau-Rayleigh instability” thanks to its focus on retracting paint ruptures and ligaments breaking into droplets. Unlike some other videos of this genre, Blanchard uses a high-speed camera here, filming the action at 1,000 frames per second, and the result is smooth, crisply focused, and absolutely delectable. (Video and image credit: T. Blanchard et al.)
Common terns are gregarious sea birds that cruise low over the water to fish. When they spot prey, they will dip down to grab a fish from the surface, or they will fold their wings to plunge-dive to depths of half a meter. Compared to gannets and boobies, these are slower, shallower dives that involve less impact risk. Presumably the birds’ choice of dive height reflects the typical swim depth of their preferred fish. (Image credit: N. Kovo/WPOTY; via Colossal)
Theo Jansen’s Strandbeests are massive, wind-powered kinetic sculptures designed to roam Dutch beaches. Conceived in the late 1980s as a way to kick up sand that would replenish nearby dunes, the beests have grown into a decades-long obsession for the artist and his followers. This Veritasium video charts the development and evolution of the Strandbeest from its original concept through Jansen’s increasingly self-sufficient versions. I found the leg linkage of the Strandbeest especially fascinating. How neat to find a relatively simply proportion of linkages capable of turning a small crank’s motion into a stable walking gait. Anyone else feel like building a miniature Strandbeest now? (Video and image credit: Veritasium)
Inspired by the film Oppenheimer, artist Thomas Blanchard created “Trinity,” a short film imagining a nuclear explosion with macro-scale fluid motion. There’s clever video editing and compositing in this video, but no CGI. Instead, Blanchard filmed fire, sparklers, alcohol inks, pigments and more up close and in stunning detail. As always, his work is a reminder of the amazing possibilities of analog-based art. (Video and image credit: T. Blanchard)
A 4-minute, unedited one-shot video of colorful paint sliding down a sheet? Yes, please.
Beautiful visuals aside, there are some really interesting physics involved here. It’s unclear whether the there’s any change in the speed at which paint gets deposited at the top of the incline over the course of the video, yet we see huge changes in the visual patterns. This happens, in part, because the layer of paint is getting thicker and heavier over time, changing the dynamics of its slide under gravity. There may even be some shear-thinning going on, given that paint is usually non-Newtonian. I can imagine some connections to landslides, avalanches, and other gravity currents with non-Newtonian fluids. (Video and image credit: R. De Giuli)