With patience and timing, one can create remarkable sculptures with fluids. To capture this shot, Moussi Ouissem used two droplets, perfectly timed. The first fell through the soap bubble (which stayed intact thanks to its powers of self-healing) and hit the pool of water. The impact caused a cavity, which then inverted into a Worthington jet. The second drop was timed to impact the column of the jet, creating the saddle-shaped splash seen here. Ripples in the bubble are still visible from the passage of the second drop, and several satellite droplets are signs of the violence of the impacts. (Image credit: M. Ouissem)
Tag: fluids as art
“Monsoon IV”
It’s a cliché to claim that the sky is bigger in the American West, but the wide, open views in that region do offer a very different perspective on weather. Photographer Mike Olbinski’s works give viewers a taste of that perspective of far-off thunderstorms, towering anvil clouds, and massive downpours in the distance. At the same time, many of his sequences illustrate the birth and death of these massive storms. As warm, moist air rises, a puffy cumulus cloud (below) swells upward as fresh moisture condenses. When it reaches a thermal cap and can rise no further, precipitation begins to fall, dragging surrounding air with it. This is the mature stage of a storm, when both updrafts and downdrafts exist simultaneously.
Eventually, the storm’s power begins to wane as the downdrafts cut off the updrafts that feed the storm. Sometimes this occurs in a massive downdraft where cool air sinks straight down and, upon encountering the ground, spreads radially outward. In dry regions, this outward burst of ground-level winds can pick up dirt, dust, and sand, forming a wall-like haboob (below) that advances past the remains of the storm. Watch the entire video to see some examples in their full glory! (Video and image credit: M. Olbinski, source; via Rex W.)
Lagoon Flows
The meeting of land and sea often creates a rich and colorful environment. This satellite image shows Mexico’s Laguna de Términos, a coastal lagoon off the Gulf of Mexico. A skinny barrier island forms the lagoon’s two connections to the ocean; the eastern side is the usual inlet (right), while the western side forms an outlet. Rivers feed freshwater into the lagoon from the south and southwest. These introduce sediments that cause some of the lighter swirls in the image. Winds and tides also contribute to this turbidity. The sheltered nature of the lagoon allows fresh and salt water to mix gradually, providing harbor for many forms of life. Oyster beds thrive in the river mouths; seagrasses prefer the calmer, saltier waters, and mangrove trees line the shore, slowly desalinating water for themselves as their roots shelter young fish and shrimp. (Image credit: NASA Earth Observatory)
Oceans of Clouds
One of the most amazing things about fluid dynamics, in my opinion, is that the same rules apply across an incredible array of situations. The equations of motion are the same whether your fluid is water, air, or honey. Your flier can be a Cessna airplane or a fruit fly; again, the equations are the same. This is part of the reason that patterns in flows are repeated whether in the laboratory or out in nature – and it’s the reason why a timelapse of fog clouds can look just like ocean waves. Ultimately, the physics is the same; clouds just move slower than ocean waves! (Image credit: L. Leber, source; via James H.)
Symmetric Wakes
Nature is full of remarkable patterns and moments of symmetry. This image shows the wake behind two rotating cylinders. Half of the cylinders are visible at the far left. The flow moves left to right. The cylinders are rotating at the same rate but in opposite directions, clockwise for the cylinder on top and counter-clockwise for the bottom one. At this speed relative to the freestream, there is a beautiful symmetry to the vortices in the wake, but the researchers found that even a slight deviation from this condition quickly destroyed the pattern. The flow is visualized here by introducing tiny hydrogen bubbles via electrolysis. The bubbles are small enough that their buoyancy has no appreciable effect. (Image credit: S. Kumar and B. Gonzalez)
“Macrocosm”
In “Macrocosm” artist Susi Sie explores a liquid world of black and white. The two colors diffuse and mix to a soundtrack of “space sounds” recorded by NASA. (Most of these are probably ionic sound rather than sound as we’re used to, but even that is somewhat fluid dynamical.) The result is beautiful, surreal, and more than a little creepy. Happy Halloween! (Video and image credit: S. Sie)
Rheoscopic Flow Vis
One of the great challenges in visualizing fluid flows is the freedom of movement. A fluid particle – meaning some tiny little bit of fluid we want to follow – is generally free to move in any direction and even change its shape (but not mass). This makes tracking all of those changes difficult, and it’s part of why there are so many different techniques for flow visualization. The technique an experimenter uses depends on the information they hope to get.
Often a researcher may want to know about fluid velocity in two or more directions, which can require multiple camera angles and more than one laser sheet illuminating the flow. An alternative to such a set-up is shown above. The injected fluid – known as a rheoscopic fluid – contains microscopic reflective particles, in this case mica, that are asymmetric in shape. Imagine a tiny rod, for example. By illuminating the rod from different directions with different colors of light, you can determine the particle’s orientation based on the color it reflects. Since the orientation of the particle depends on the surrounding flow, you can infer how the flow moves. (Image credit and submission: J. C. Straccia; research link: V. Bezuglyy et al.)
Sunset Vortices
Often our atmosphere’s transparency masks the beautiful flows around us. This spectacular image shows a flight landing in Munich just after sunrise. Low-hanging clouds get sliced by the airplane’s passage and curl into its wake. The swirls are a result of the plane’s wingtip vortices, which wrap from the high-pressure underside of the wing toward the low-pressure upperside. The vortices stretch behind in the plane’s wake, creating turbulence that can be dangerous to following planes. In fact, these vortices are a major determining factor in the frequency of take-off and landing on a given runway. The larger a plane, the larger its wingtip vortices and the more time it takes for the turbulence of its passage to dissipate to a safe level for the next aircraft. (Image credit: T. Harsch; submitted by Larry S.)
Tightrope Walkair
A bubble rising through water can get caught on an aerophilic (air-attracting) fiber. The bubble will then adhere to the fiber and be guided to the surface by it. In the poster above, the image is a composite photo of such a bubble every 40 milliseconds. Once captured by the fiber, the bubble first accelerates and then reaches a terminal velocity, indicated by the equal spacing of the bubble photos toward the right end of the picture. The terminal velocity strikes a balance between buoyancy, which pulls the bubble upward, and skin friction between the bubble and the water, which acts like drag on the bubble. At the terminal velocity, these forces are equal; neither is able to speed up or slow down the bubble. (Image credit: H. de Maleprade et al.)
Wrinkling Drops
When a viscous drop falls into a pool of a less viscous liquid, the drop can deform into some beautiful and complex shapes. Typically, shear forces between the drop and its surroundings cause a vortex ring to roll up and advect downward, thereby stretching the remainder of the drop into thin sheets that can buckle and wrinkle. Here the drop is about 150 times more viscous than the pool and impacts at 1.45 m/s, making a rather energetic entry. The vortex ring (not visible) has stretched the drop’s remains downward while a buoyant bubble caught by the impact pulls some of the drop back toward the surface. As a result, the thin sheets of the drop’s fluid are buckling and folding back on themselves like an elaborate and delicate glass sculpture. This entire paper is full of gorgeous images and videos. Be sure to check them out! (Image and research credit: E. Q. Li et al.; see supplemental info zip for videos)
