FYFD

Tag: fluids as art

  • Featured Video Play Icon

    “Volumes”

    “Volumes” is an experimental art film by Maxim Zhestkov using physics-based particle animation. Waves and unseen forces send billions of color-changing particles aloft in the film. The motions – especially the way the particles seem to tear themselves – are reminiscent of a complex fluid, like yogurt. These substances have both liquid-like (viscous) and solid-like (elastic) properties depending on the forces they experience. Zhestkov’s particles are similar; they move like a fluid but tear more like a solid.

    I particularly like the sequence beginning at 1:30. The upwelling of particles leaves behind a lower layer that looks like a snapshot of convection in a planetary mantle while the upper layer resembles the clash of ocean waves. The whole film is quite mesmerizing. Check it out! (Video and image credit: M. Zhestkov; GIFs via Colossal)

  • Featured Video Play Icon

    “Le Temps”

    Thomas Blanchard is back with another beautiful music video. This one features ink cascading over various shapes underwater. Lots of tiny mushroom-shaped Rayleigh-Taylor instabilities here caused by the ink’s greater density compared to the surrounding water. There are also some lovely examples of transitional flow, especially around the spheres. Initially, flow over the spheres looks completely smooth and laminar. But, on the latter half of the sphere, where the flow is under increasing pressure, you see disturbances growing until little fingers of ink break away entirely. Be sure to watch the whole video; you don’t want to miss this! (Video and image credit: T. Blanchard)

  • Featured Video Play Icon

    Vortex Ring Collisions

    One of the most enduringly popular submissions I receive is T. Lim’s experimental footage of two vortex rings colliding head-on. It’s an devilishly tough experimental set-up to master because perfectly aligning the rings is incredibly difficult. The pay-off, however, is huge because the breakdown of the colliding rings and their transformation into secondary rings is breathtaking. Destin at Smarter Every Day and his team have worked hard to recreate the experiment (top video), but they’re not the only ones – nor are they the first in decades – to do so.

    Ryan McKeown and a team at Harvard have a set-up of their own for vortex ring collisions, and you can see a little of it in action in the middle video. Ryan’s set-up is, frankly, incredible. It scans a light sheet through the vortex rings at high-speed, allowing him to capture the collision and break-up in minute detail in both space and time. What you see in the latter half of his video is a digital reconstruction of that data – not a simulation but real data! His work is capturing vortex collisions in unprecedented detail, allowing researchers to probe the smallest scales of the phenomenon.

    When two vortex rings approach one another, they can undergo what’s known as a vortex reconnection event. Bubbles rings are a great place to see this. The vortex cores get distorted when they’re close to one another due to the influence of the other vortex ring’s velocity field. This often stretches and flattens the vortex core. It’s impossible for the rings to simply break apart, though, (per Helmholtz’s second theorem). So when the original vortex rings thin to the point of breaking, they immediately reconnect to a piece of the other ring, creating a series of small vortex rings around the remains of the originals. The exact details of how this works are what investigators like Ryan and his colleagues are trying to understand. You can hear a little more about their work in my interview with Ryan in the bottom video, starting at ~2.54. (Video credits: Smarter Every Day, R. McKeown et al., and N. Sharp and T. Crawford; submission credit: a huge number of readers)

  • Featured Video Play Icon

    Bubble Art

    Everyone loves soap bubbles, and bubble artist Melody Yang reveals how to make some pretty awesome ones in this video for Wired. The surface tension of bubbles makes them naturally seek a shape that minimizes their surface area relative to the volume they contain. For a single bubble, that’s a sphere. But once you start joining multiple bubbles, as Yang demonstrates, that minimal surface area can change, even to something unexpected like a cube.

    Bubbles also have an impressive ability to self-heal. As long as whatever passes through them is wet – whether it’s a hand, a straw, or even a ball bearing – the soap film will probably heal itself rather than break. This is a key feature for many of Yang’s tricks, including the impressive planetary bubble. (Video credit: Wired; image credits: Wired/Colossal; via Colossal)

  • Featured Video Play Icon

    “Liquid Calligraphy”

    In “Liquid Calligraphy,” artist Rus Khasanov’s letters dissolve once he draws them. At first, the white ink spreads in narrow fingers, probably driven by a combination of surface tension gradients, capillary action, and simple diffusion. But then, in flashes, the letters morph faster and flow outward. My best guess is that each jump is a spray from a bottle full of a low surface tension liquid like alcohol. The spray triggers faster outflows than before, like those seen when a strong difference in surface tension activates the Marangoni effect. It’s a beautiful and different artistic take on these important fluid forces. Check out more of his videos here or enjoy high-resolution stills and wallpapers in this style from his Behance page. (Image and video credit: R. Khasanov; submitted by TBBQoC)

  • Featured Video Play Icon

    Rainbow Paint on a Speaker

    Every year brings faster high-speed cameras and better quality imaging, so the Slow Mo Guys like to occasionally revisit topics they’ve done before, like paint vibrated on a speaker. The physics involved here are fantastic, so I’ll revisit the topic, too! In this version, Gav and Dan are using a pretty beefy speaker at a relatively high volume, so the paint gets a strong acceleration. As they note, the paint colors mix to brown almost immediately. In the high-speed footage, we can see why. 

    Watch how the individual strands of paint behave. As they fly upward, they stretch out and get thinner. That stretching has a side effect: it makes the paint spin. This is angular momentum of the paint being conserved. Just like a spinning ice skater who pulls his arms in, the paint spins faster as it gets thinner. This provides a lot of the mixing. Just look at how the different colors twist together! (Image and video credit: The Slow Mo Guys)

  • Featured Video Play Icon

    “Water Ballet”

    Artist Kamiel Rongen uses common substances like paint, oil, eggs, and even air freshener to create what he calls “water ballet.” His videos are full of ethereal and surreal landscapes full of color and motion. Buoyancy (or the lack thereof) plays a major role in his work – fluids often spurt upward like alien creatures emerging from a chrysalis. I’ve been debating with myself whether the fluids are actually rising or if they’re falling in front of an upside-down camera, and I’m not completely certain either way! I think that’s a testament both to Rongen’s artistry and to the awesome physics involved. Check out the full video below and you can see many more examples of Rongen’s work on his website. (Image and video credit: K. Rongen; h/t to James H.)

  • Fractal Fingers

    Fractal Fingers

    Dyed isopropyl alcohol atop a thin layer of acrylic medium spreads in a fractal fingering pattern. Although the shapes are reminiscent of the viscous fingers seen in in the Saffman-Taylor instability, these patterns are most likely a result of surface tension. The lower surface tension of the alcohol causes Marangoni forces to pull it outward. The branching shapes indicate an instability, likely driven by surface tension, but the details of the mechanism behind it are unclear. (Image credits: J. Nahabetian)

  • Impressionist Foams

    Impressionist Foams

    Imagine taking two panes of glass and setting them in a frame with a small gap between them. Then partially fill the gap with a mixture of dye, glycerol, water, and soap. After turning the frame over several times, the half of the frame will be filled with foamy bubbles. When you flip it again, the dyed glycerol-water will sink and penetrate the bubble layer, creating complex and beautiful patterns as it mixes. Some of the bubbles may get squeezed together until they coalesce into larger bubbles that shoot upward thanks to their increased buoyancy. Other smaller bubbles will wend their way upward as neighboring fluid shifts. If you examine the tracks left by individual bubbles, you can find patterns reminiscent of Impressionist paintings, as seen at the end of this Gallery of Fluid Motion video. (Image credit: A. Al Brahim et al., source)

  • Skyglow

    Skyglow

    Timelapse can be a beautiful way to highlight slow-moving flows like those in the sky. But it can also be valuable in showing differences in speed, as in the latest SKYGLOW Project video, “Colorado Serenade”, which shows the Colorado River and the skies overhead simultaneously. Timelapse highlights the difference in time scales between the fast-moving river and slower-moving clouds.

    This mirrors an important phenomenon in fluid dynamics known as “separation of scales”. In a flow, there are often multiple effects at play and they may occur on different time (or length) scales. Which matters most in a given situation will depend on those scales. Consider a rocket engine. Combustion inside the engine ignites fuel and oxidizer, releasing heat. At the same time, the flow in the engine is key to mixing that fuel and oxidizer together so that all of the fuel and oxidizer ignites before it is sent downstream into the rocket nozzle. There are two important time scales here: the time it takes for the flow to mix fuel and oxidizer together and the time it takes for the combustive chemical reaction to take place. In an ideal world, engineers can balance those two time scales to maximize efficiency. But in the (admittedly less ideal) real world, this is not always possible. (Video and image credit: H. Mehmedinovic/SKYGLOW)