FYFD

Tag: acoustics

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    Perturbations

    At first glance, today’s video appears to have little to do with fluid dynamics since it’s a demonstration of interactions between magnets. But for those who’ve delved into the mathematics of fluid dynamics — especially subjects like perturbation theory — there’s a lot to appreciate here. In the video, we see systems of magnets constructed and then manipulated, often by moving a single magnet and watching how the rest respond. Visually, this demonstrates how disturbances move in complex, interconnected damped systems. The auditory component — definitely turn the sound on for this video — is an extra layer of fluids-related goodness that also shows how reconfiguring a system changes its resonant frequencies. (Image and video credit: Magnetic Tricks and Magnetic Games; via Colossal)

  • Listening to the Sizzle

    Listening to the Sizzle

    The sizzle of frying food is familiar to many a cook, and that sound actually conveys a surprising amount of information. In this study, researchers suspended water droplets in hot oil and observed their behavior, both with high-speed video and with microphones. They found that these vaporizing drops created three types of cavities in the oil: an exploding cavity that breaks the surface, an elongated cavity that remains submerged, and an oscillating cavity that breaks up well below the surface. All three cavities flung oil droplets upward, and all three were acoustically distinct from one another. That means, as the authors suggest, that it might be possible to measure the aerosol droplets generated during frying simply by listening! (Image credit: fries – W. Dharma, others – A. Kiyama et al.; research credit: A. Kiyama et al.; via Cosmos; submitted by Kam-Yung Soh)

  • Sonic Booms and Urban Canyons

    Sonic Booms and Urban Canyons

    In the days of the Concorde — thus far the world’s only supersonic passenger jet — noise complaints from residents kept the aircraft from faster-than-sound travel except over the open ocean. With many pursuing a new generation of civil supersonic aircraft, researchers are looking at how those sonic booms could interact with those of us on the ground.

    In this study, researchers simulated the shock waves from aircraft interacting with single and multiple buildings on the ground. They found that the presence of a building increases the perceived sound level of the boom by about 7 dB at the most. But the most interesting results are what happens between multiple buildings.

    If the street between buildings is wide enough, they each act independently, as if they were single buildings. But for narrower streets, the acoustics waves reflect and diffract between the buildings, creating a resonance that makes the acoustic echoes last longer. The effect is especially pronounced for a sonic boom traveling across a series of buildings, which mimics the layout of a dense city full of urban canyons. (Image credit: Concorde – M. Rochette, simulation – D. Dragna et al.; research credit: D. Dragna et al.)

    Acoustic waves reflect and propagate through 2D urban canyons with widths of 10 meters (top), 20 meters (middle), and 30 meters (bottom).
    Acoustic waves reflect and propagate through 2D urban canyons with widths of 10 meters (top), 20 meters (middle), and 30 meters (bottom).
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    Whistle Physics

    Ever wondered how whistles work? Depending on the type of whistle, there are a few different phenomena in play, but the most fundamental one is the oscillation of a fast-moving air stream. Any small deviation in the air stream can set up a situation where the flow shifts side-to-side, and most whistles use this oscillation to drive the sound they produce.

    Many whistles direct the air flow onto a wedge-shape to strengthen the oscillation; then they have a cavity that amplifies the sound using resonance. Water whistles — which warble in a bird-like way — do the same thing, but the water inside them creates a shape-changing cavity, thereby changing the pitch to create an unsteady, warbling sound. You can see all these whistles and more deconstructed in Steve’s video. (Video and image credit: S. Mould)

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    Listening to Tempura

    Most cooks know that their frying oil isn’t hot enough if dropping the food in doesn’t create a furious burst of bubbles. But the canniest cooks know they can check the temperature just by listening to the sound made when inserting a utensil, like a wooden chopstick. When oil nears the right temperature, a cloud of bubbles forms around the utensil, leading to a flurry of sound as those bubbles break.

    In this video, researchers explore the sound and bubble dynamics together as a function of temperature. They show how the final sound carries the signature of the its bursting bubble, too. So next time you’re getting ready to fry and you can’t find your thermometer, don’t panic. Just listen! (Image and video credit: A. Kiyama et al.)

  • Sounds of Champagne

    Sounds of Champagne

    Lean in to a glass of champagne and you’ll hear a soft chorus of sound as the bubbles pop. Recently, researchers determined the specific mechanism in the process that’s responsible for that audible sound.

    Bubbles pop when the thin film of liquid separating them from the atmosphere drains away. The moment the film opens corresponds to the start of the sound, as overpressurized air inside the bubble has a chance to escape. The researchers found that the bubble behaves like a open-ended Helmholtz resonator, and by the time the sound emission ends, the bubble’s collapse has barely begun. (Image credit: L. Lyshøj; research credit: M. Poujol et al.)

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    The Hot Chocolate Effect

    Stir hot chocolate powder into milk or water, and you can recreate this bizarre acoustic phenomenon. Once the powder is mixed in, tapping the side of the cup creates a low pitch that steadily rises as you continue tapping. This is known as the hot chocolate, or allossonic, effect. When you stir, it creates tiny bubbles in the fluid, which changes the effective speed of sound. As the bubbles pop, the speed of sound goes up and the pitch of your tapping gets higher! Stirring the cup up again (even without adding more powder) should lower the pitch once more. (Video credit: C. Kalelkar)

  • The Best of FYFD 2021

    The Best of FYFD 2021

    A year ago I observed what a strange year 2020 had been, and in many ways, I could say the same of 2021. Before the pandemic, I spent quite a lot of time traveling. In 2021, the only nights I slept outside my own bed came on a long weekend up to the mountains with my family. But 2021 also saw a bit of a return to normalcy – I was giving keynote addresses and workshops again, albeit virtually. What will 2022 hold? Who knows?!

    As per tradition, here are the top FYFD posts of 2021:

    1. A superior mirage leaves a ship floating in mid-air
    2. Drone videos of sheep herding are mesmerizing
    3. Permeable pavement allows water to drain
    4. The slow and dreamy fluid landscape of “Le Temps et l’Espace”
    5. What do you do when you’re an insect researcher with a high-speed camera?
    6. Satellite images… or paint?
    7. The intricate lacework of the Venus’s flower basket sea sponge
    8. Building a Bluetooth speaker with ferrofluid music visualization
    9. Finding the acoustics of Stonehenge
    10. Making butter by traditional French methods

    It’s an eclectic mix of topics this year: bizarre phenomena, stunning art, archaeological exploration, and a touch of biophysics!

    If you enjoy FYFD, please remember that it’s primarily reader-supported. You can help support the site by becoming a patron, making a one-time donation, buying some merch, or simply by sharing on social media. And if you find yourself struggling to remember to check the website, remember you can get FYFD in your inbox every two weeks with our newsletter. Happy New Year!

    (Image credits: mirage – D. Morris, sheep – L. Patel, pavement – Practical Engineering, Le Temps – T. Blanchard, insects – Ant Lab, Satellike – R. De Giuli, sea sponge – G. Falcucci et al., speaker – DAKD Jung, Stonehenge – T. Cox et al., butter – Art Insider)

  • The Acoustics of Stonehenge

    The Acoustics of Stonehenge

    Stonehenge has long been an astronomical wonder, but did you know it’s an aural wonder as well? A team of acoustic engineers and an archaeologist constructed and tested a 1:12 scale model of the monument as it existed around 2200 B.C. Their model included 157 3D-printed stones (which took about nine months to print!), carefully engineered to reflect ultrasonic frequencies the way the full-size Stonehenge reflects frequencies in our auditory range. (Using the higher frequency sound at a smaller physical scale allows engineers to match the physics of the real henge.)

    The team found that the stones of the henge amplified sound by about 4 decibels, enough to make a speaker’s voice easy to hear, even when facing a different direction. The structure also provided some reverberation that would enhance musical instruments or singing. Stonehenge had reverberation levels similar to a modern-day large movie theater, which is absolutely incredible for a prehistoric structure constructed in the open air.

    For more interesting details on the model’s construction and testing, check out this article at Physics Today. (Image and research credit: T. Cox et al.)

  • Digging Into Acoustic Levitation

    Digging Into Acoustic Levitation

    Acoustic levitation is a fascinating phenomenon in which small objects, like the Styrofoam balls seen here, are levitated by a standing acoustic wave. In this image, a color schlieren system shows regions of increasing pressure with height (red) and decreasing pressure with height (green). The balls sit within the colored bands, indicating that they’re levitated near the standing wave’s pressure nodes.

    Interestingly, a basic (linear) analysis of the acoustics indicates that the balls should levitate at the pressure anti-nodes, but this clearly isn’t the case in reality. As the authors show, understanding acoustic levitation requires a nonlinear analysis, which reveals the acoustic radiation pressure as the force responsible for holding the balls in place near the nodes. Check out their paper for the full analysis! (Image and research credit: D. Jackson and M. Chang; via Physics Today)