Droplet impacts on granular surfaces and water interactions with superhydrophobic surfaces are not unfamiliar topics for FYFD. But this behavior of water droplets falling on a superhydrophobic powder is unusual, to say the least. When the droplets impact in powder, they rebound with a partial coating of powder. In the case of the superhydrophobic powder, the shape of the droplet is “frozen” by the powder. A satellite droplet is ejected from the region not coated in powder and the resultant main drop falls back to the surface and comes to rest with little to no deformation. The researchers report a critical velocity at which the behavior is observed. (Video credit: J. Marston et al.; via Physics Buzz)
Tag: droplet impact
Microbubble Necklace
When a drop impacts a pool at very low velocity, a thin layer of air can be trapped between the drop and the pool. When this air film ruptures, a ring of microbubbles forms and expands. Multiple “bubble necklaces” can form if the film ruptures at several points. These rings travel outward until the film is completely destroyed, leaving a chandelier-like shape of microbubbles. See the phenomenon in action with one of the videos linked here. (Photo credit: S. T. Thoroddson et al.; see video at arXiv)
Donut-Shaped Bubbles
Here researchers simulate rain-like droplet impacts with large drops of water falling into a tank from several meters. The momentum of such an impact is significantly higher than many other droplet impact examples we’ve featured. In this case, the coronet, or crown-like splash, caused by the collision collapses quickly, closing the fluid canopy around a trapped bubble of air. The remains of the coronet fall inward, preventing the development of the usual Worthington jet associated with droplet impacts. Instead, the air bubble takes on an unstable donut-like shape. (Video credit: M. Buckley et al.)
Liquid Pearls
Researchers create liquid pearls–a liquid droplet surrounded by a gel-like exterior–by dropping the fluid through a special bath. The initial droplet contains a mixture of the liquid core and an alginate solution. When the drop falls through a bath containing calcium ions, the alginate turns into a hydrogel shell around the liquid core. In order to prevent mixing during the droplet impact, researchers use a surfactant that helps the thin alginate layer persist while gelling takes place. The resulting liquid pearl is permeable to chemicals; researchers hope this may allow them to be used to contain microorganisms or cells in a three-dimensional environment during testing. (Video credit: New Scientist, N. Bremond et al.; see also Gallery of Fluid Motion)
Floral Still Life
Fluid motion is captured as a floral still life in these high-speed photos by Jack Long. The artist keeps mum about his set-up but notes that these are single capture events, not constructed composites. It looks as if the blossoms are created from the impact of a falling fluid with the upward jet that forms the stem. The leaves and vase appear to be created from upward splashes, but whether those are generated by vibration or dropping an object is unclear. See Long’s Flickr page for more. (Photo credit: Jack Long via Gizmodo)
Vibrating Oil
This high-speed video shows the behavior of oil on a vibrating surface. As the amplitude of the vibration is altered various behaviors can be observed. Initially small waves appear on the surface of the oil, then the surface erupts into a mass of jets and ejected droplets, reminiscent of a vibrated interfaces within a prism or vibration-induced atomization. When the amplitude is reduced after about half a minute, we see Faraday waves across the surface, as well as tiny droplets that bounce and skitter across the surface. They are kept from coalescing by a thin layer of air trapped between the droplet and the oil pool below. Because of the vibration, the air layer is continuously refreshed, keeping the droplet aloft until its kinetic energy is large enough that it impacts the surface of the oil and gets swallowed up.
Drops Through Drops
The splashes from droplets impacting jets create truly mesmerizing liquid sculptures. Corrie White is one of the masters of this type of high-speed macro photography. Her work captures the instantaneous battles between viscosity, surface tension, and inertia. The fantastic structure seen here through the falling droplets is created by a series of drops timed so that the later ones strike the Worthington jet produced by the initial drop’s impact. (Photo credit: Corrie White)
Water Drops on Sand
This high-speed video captures the impact of liquid droplets onto a granular surface. While there is some similarity to liquid-solid and liquid-liquid impacts, the permeability of the granular surface helps to “freeze” the splash rather quickly. Energy is dissipated in the initial impact, causing a splash of grains. Then the surface tension, viscosity and inertia of the droplet compete in causing the deformations seen in the video. The deformation appears strongly dependent on the kinetic energy with which the droplet hits the surface (i.e. proportional to the height from which it is dropped). (Video credit: G. Delan et al)
Ejecting Drops
Large droplets ejected from a liquid pool do not coalesce immediately back into the whole. Instead, a thin layer of air gets trapped beneath them, much like the oil lubricating bearings. The weight of the droplet causes the air to drain away, and eventually the droplet comes in contact with the pool. Some of the droplet gets drained away before surface tension snaps the interface back into a low energy state. A new smaller droplet then bounces upward before repeating the process over again. Eventually the droplet becomes small enough that its entire mass gets sucked away by the pool. Researchers call this process the coalescence cascade.
Worthington Jet
A drop of sugar syrup falls into a pool of methylated spirits, producing a Worthington jet and several ejected droplets. Although surface tension holds the jet in a smooth shape, the refractive index of the spirits reveals the turbulent mixing within the jet. (Photo credit: Rebecca Ing)
