FYFD

Tag: turbulent mixing

  • Turning the Beach Pink

    Turning the Beach Pink

    Lab experiments and numerical simulations can only take us so far; sometimes there’s no substitute for getting out into the field. That’s why a beach in San Diego turned pink this January and February, as researchers released a safe, non-toxic dye into an estuary. The goal is to understand how small freshwater sources mix with colder, saltier ocean waters when they meet in the surf zone. Differences in temperature and salinity both affect the waters’ density and, therefore, how they’ll combine, especially in the face of the turbulent surf. Using drones, distributed sensors, and a specially-outfitted jet ski, the researchers collect data about how the dye (and therefore the estuary’s water) spreads over the 24 hours following each dye release. Check out their experiment’s site to learn more. (Image credits: E. Jepsen/A. Simpson/UC San Diego; via SFGate; submitted by Emily R.)

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    Inside a Metal Vortex

    What do you get when you combine liquid gallium, a blender, and a special probe lens? Some pretty wild slow-mo video of a liquid metal vortex, courtesy of the Slow Mo Guys. This video is almost as notable for its set-up as it is for the high-speed footage, given the lengths Gav and Dan go to in order to get the shot! (Image and video credit: The Slow Mo Guys)

  • Foam and Flow

    Foam and Flow

    Fluid dynamics often play out on a scale that’s difficult to appreciate from our earthbound perspective, but fortunately, we have tools to aid us. This natural-color satellite image shows Rupert Bay in Quebec, where fresh water stained with sediments and organic matter (right) flows into the saltier water of James Bay (left). White filaments at the edges of these mixing regions are likely foam floating atop the water. The turbulence caused at the intersection of the two bodies of water whips up organic films to form bubbles. The white on the far left of the image is ice chunks still floating in James Bay when the image was taken in early June. Click through to admire the high-resolution version. (Image credit: U.S. Geological Survey; via NASA Earth Observatory)

  • Can Zooplankton Mix Oceans?

    Can Zooplankton Mix Oceans?

    Krill and other tiny marine zooplankton make daily migrations to and from the ocean surface. Previously, models of ocean mixing ignored these migrations; these animals are tiny, researchers argued, so any effects they could have would be too small to matter. But zooplankton make these migrations in huge swarms, and studies of a laboratory analog of their migrations (using brine shrimp rather than krill) reveal that, when moving en masse, these tiny swimmers create turbulent jets and eddies far larger than an individual. Their collective motion is enough to mix salty water layers 1000 times faster than molecular diffusion alone! Learn more in the latest FYFD video, embedded below. (Image and video credit: N. Sharp; research credit: I. Houghton et al.; h/t to Kam-Yung Soh)

  • Liquid Sunbursts

    Liquid Sunbursts

    Liquid sunbursts and swirling aquatic roses abound in photographer Mark Mawson’s work. Images like these are created from dropping ink into water and photographing it as it diffuses. For the roses, the tank is additionally stirred or spinning to create the vortex-like appearance. Check out his website for more striking images, including more billowing ink, some great splashes and beautiful turbulent mixing between coffee and milk. (Image credit: M. Mawson; submitted by clogwog)

  • Bubbles Sliding

    Bubbles Sliding

    Two-phase flows involve more than one state of matter – in this case, both gas and liquid phases. Flows like this are common, especially in applications involving heat transfer. In some heat exchangers, bubbles will rise and then slide along an inclined surface, as shown above. The motion of these bubbles is a complicated interplay between the surface, the bubble, and the surrounding fluid. The bubble’s wake, visualized here using schlieren imaging, is unsteady and turbulent. Although the bubble oscillates in its path, the wake spreads even wider, and its turbulence stirs up the liquid nearby, increasing the heat transfer. (Image and research credit: R. O’Reilly Meehan et al., source)

  • Lighting Engines

    Lighting Engines

    Combustion is complicated. You’ve ideally got turbulent flow, acoustic waves, and chemistry all happening at once. With so much going on, it’s a challenge to sort out the physics that makes one ignition attempt work while another fails. The animations here show a numerical simulation of combustion in a turbulent mixing layer. The grayscale indicates density contours of a hydrogen-air mixture. The top layer is moving left to right, and the lower layer moves right to left. This sets up some very turbulent mixing, visible in middle as multi-scale eddies turning over on one another.

    Ignition starts near the center in each simulation, sending out a blast wave due to the sudden energy release. Flames are shown in yellow and red. As the flow catches fire, more blast waves appear and reflect. But while the combustion is sustained in the upper simulation, the flame is extinguished by turbulence in the lower one. This illustrates another challenge engineers face: turbulence is necessary to mix the fuel and oxidizer, but turbulence in the wrong place at the wrong time can put out an engine. (Image, research, and submission credit: J. Capecelatro, sources 1, 2)

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  • Rocket Launch Systems

    Rocket Launch Systems

    If you’ve ever watched a rocket launch, you’ve probably noticed the billowing clouds around the launch pad during lift-off. What you’re seeing is not actually the rocket’s exhaust but the result of a launch pad and vehicle protection system known in NASA parlance as the Sound Suppression Water System. Exhaust gases from a rocket typically exit at a pressure higher than the ambient atmosphere, which generates shock waves and lots of turbulent mixing between the exhaust and the air. Put differently, launch ignition is incredibly loud, loud enough to cause structural damage to the launchpad and, via reflection, the vehicle and its contents.

    To mitigate this problem, launch operators use a massive water injection system that pours about 3.5 times as much water as rocket propellant per second. This significantly reduces the noise levels on the launchpad and vehicle and also helps protect the infrastructure from heat damage. The exact physical processes involved – details of the interaction of acoustic noise and turbulence with water droplets – are still murky because this problem is incredibly difficult to study experimentally or in simulation. But, at these high water flow rates, there’s enough water to significantly affect the temperature and size of the rocket’s jet exhaust. Effectively, energy that would have gone into gas motion and acoustic vibration is instead expended on moving and heating water droplets. In the case of the Space Shuttle, this reduced noise levels in the payload bay to 142 dB – about as loud as standing on the deck of an aircraft carrier. (Image credits: NASA, 1, 2; research credit: M. Kandula; original question from Megan H.)

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    “Ink in Motion”

    In this short film, the Macro Room team plays with the diffusion of ink in water and its interaction with various shapes. Injecting ink with a syringe results in a beautiful, billowing turbulent plume. By fiddling with the playback time, the video really highlights some of the neat instabilities the ink goes through before it mixes. Note how the yellow ink at 1:12 breaks into jellyfish-like shapes with tentacles that sprout more ink; that’s a classic form of the Rayleigh-Taylor instability, driven by the higher density ink sinking through the lower density water. Ink’s higher density is what drives the ink-falls flowing down the flowers in the final segment, too. Definitely take a couple minutes to watch the full video. (Image and video credit: Macro Room; via James H./Flow Vis)

  • When Vortices Collide

    When Vortices Collide

    In a new ad campaign for paint manufacturer Sherwin-Williams, the production team at Psyop show off some awesome fluid dynamics by swirling and injecting paint underwater. You can see one sequence above, where red and blue paint vortex rings collide head-on before breaking down into a purple turbulent cloud. (What a great way to demonstrate the mixing power of turbulence, right?) Here’s the full 30-second ad clip. Impressively, everything in the video is a practical effect, even the segment that flies past multicolored turbulent plumes. You can see how they filmed everything in their behind-the-scenes featurette below. In the meantime, enjoy the mesmerizing beauty of real-world physics and check out FYFD’s “fluids as art” tag for more examples. (Image and video credit: Psyop for Sherwin-Williams; submitted by Alan B.)