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  • The Fluidic Oscillator

    The Fluidic Oscillator

    A fluidic oscillator is a device with no moving parts that sprays a fluid from side to side. The animations above illustrate how they work. A nozzle funnels a fluid jet through a chamber with two feedback channels. When the jet sweeps close to one side of the chamber, part of the fluid is directed along the feedback channel and back toward the inlet. That flow feeds into a recirculating separation bubble in the middle of the chamber. As that bubble grows, it pushes the jet back toward the other feedback channel, continuing the cycle. Many automobiles use fluidic oscillators in their windshield washer sprays. Check out the award-winning full video from the Gallery of Fluid Motion.  (Image credit: M. Sieber et al., source)

  • Draining Soap Film

    Draining Soap Film

    The brilliant colors of a soap film are directly related to the film’s thickness. Black regions, like the one in the upper right of this image, are the thinnest regions and may be less than 100 nanometers thick. (That’s smaller than the shortest wavelength of visible light!) The colors of the peacock-feather-like blooms along the bottom of the image demonstrate significant variations in film thickness. This is caused by uneven concentrations of surfactants in the film. The variations in concentration causes differences in local surface tension, which in turn moves fluid around within the film. This is known as a Marangoni effect. (Image credit: S. Berg and S. Troian)

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    Oil Film on Water

    This award-winning short film features a thin layer of volatile oil on water. The oil evaporates quickest from shallow pools only microns deep, which appear bluish in the video. Surface instabilities along the edge of the pool create flow that draws oil in, generating the iridescent droplets seen floating among the evaporation pools. The droplets combine and coalesce as they come in contact with one another. Since droplets have a larger volume per surface area than the shallow pools, they evaporate more slowly. The behaviors observed here are important to applications like oil and fuel spills, which can persist longer if the floating fluid layer tends to form droplets. (Video credit: J. Hart; via txchnologist)

  • Jovian Belts and Zones

    Jovian Belts and Zones

    Jupiter’s colorful cloud bands alternate between dark belts and light zones. The bands mark convection cells in Jupiter’s atmosphere, and, like on Earth, powerful jet streams form due to this atmospheric heating and the planet’s rotation. The jet winds can even move in opposite directions, creating strong shear forces between neighboring cloud bands. The shear helps drive Kelvin-Helmholtz instabilities in the clouds, resulting in the regularly spaced waves and vortices seen along the edges of some bands. (Image credit: NASA/ESA; via APOD)

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    The Droplet Slide

    One of the joys of science is the sense of discovery that can come even from looking at something seemingly simple. Take, for example, a water droplet sitting on a plate. If you slowly tilt the plate, the droplet’s shape will shift until a critical angle where it starts sliding down the plate. But what happens to two initially different droplets? As this video shows, tilting two droplets of initially different shapes and returning them to horizontal causes the droplets to assume the same shape. There’s a universal behavior at work here–like nature has a kind of reset button that makes gravity and surface tension work together such that a droplet will assume a preferred shape. For an experimentalist, it’s certainly a handy way to create repeatable experiments! (Video credit: M. Musterd et al.)

  • Viscous Fingers

    Viscous Fingers

    Take a viscous fluid, like laundry detergent, and sandwich it between two plates of glass. Fluid dynamicists call this set-up a Hele-Shaw cell. If you then inject a less viscous fluid, like air, between the plates–or if you try to pry them apart–you’ll see a distinctive pattern of dendritic fingers form. This viscous fingering, also known as the Saffman-Taylor instability, occurs because the interface between the two fluids is unstable. Invert the problem, though–inject a more viscous fluid into a less viscous one–and no special shapes will form because the interface will remain stable. (Image credit: Random Walk Studios, source)

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    Deforming Soap Films

    It’s the time of year when new Gallery of Fluid Motion videos start popping up online. We’ve already featured several and no doubt there will be more to come. Today’s post is a submission from Saad Bhamla, who gave this introduction to the work:

    Soap bubbles occupy the rare position of delighting and fascinating both young children and scientific minds alike. Sir Isaac Newton, Joseph Plateau, Carlo Marangoni and Pierre-Gilles de Gennes, not to mention countless others, have discovered remarkable results in optics, molecular forces and fluid dynamics from investigating this seemingly simple system.

    This video is a compilation of curiosity-driven experiments that systematically investigate the surface flows on a rising soap bubble. From childhood experience, we are familiar with the vibrant colors and mesmerizing display of chaotic flows on the surface of a soap bubble. These flows arise due to surface tension gradients, also known as Marangoni flows or instabilities. In this video, we show the surprising effect of layering multiple instabilities on top of each other, highlighting that unexpected new phenomena are still waiting to be discovered, even in the simple soap bubble.

    As illustrated in the video, raising a bubble beneath the soap film moves surfactants in the film, which causes local differences in surface tension. Any time a difference in surface tension exists, fluid will flow from areas of low surface tension to ones with higher surface tension. This is called the Marangoni effect. On a soap bubble, this is visible in the chaotic swirling colors we see. In this system, Bhamla and his co-author found that by raising the bubble in steps, they could “freeze” the Marangoni-induced patterns created by the previous motion. (Video credit and submission: S. Bhamla et al.)

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    Glow-Stick Ferrofluids

    Ferrofluids create all kinds of fascinating shapes when exposed to magnetic fields. In this video, Dianna from Physics Girl shows off what happens when you combine a ferrofluid with glowsticks and explains how ferrofluids get some of their unique properties. Ferrofluids consist of tiny nanoparticles of magnetic material that are surrounded by surfactants and suspended in a carrier fluid. This creates a fluid whose shape depends on gravity, surface tension, and the local magnetic field. By manipulating the relative strength of these forces, you can create everything from spikes to maze-like patterns to whatever this is. (Video credit and submission: Physics Girl)

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    Bullet-Time Inferno

    Remember the bullet time effect from The Matrix? This spectacular video gives you a similar effect with the turbulent flames created by firebreathers. To capture this level of detail, Mitch Martinez uses an array of 50 cameras placed around the performers, allowing him to reconstruct the full, three-dimensional representation of the flames. Similarly, some scientists use arrays of high-speed video cameras to collect 3D, time-resolved data about phenomena like combustion. Because these flows are so complex in terms of their fluid dynamics and chemistry, capturing full 3D data is important to help understand and model the flow better. (Video credit: M. Martinez; via Rakesh R.)

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    Pollock-Style Physics

    Here on FYFD, we like to show off the artistic side of fluid dynamics. But some researchers are actively studying how artists use fluid dynamics in their art. In this video, they examine one of Jackson Pollock’s painting techniques, in which filaments of paint were applied by flinging paint off a paintbrush. Getting the technique to work requires a fine balance of forces and effects. Firstly, the paint must be viscous enough to hold together in a filament when flung. Secondly, the centripetal acceleration of the rotation must be high to both form the catenary filament and throw it off the brush. And, finally, the Reynolds number needs to be high enough to add some waviness and instability to the filament so that it looks interesting once it hits the canvas. Also be sure to check out the group’s previous work exploring Siqueiros’s painting techniques. (Video credit: B. Palacios et al.)

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