Category: Phenomena

  • Pilot-Wave Hydrodynamics: Faraday Instability

    Pilot-Wave Hydrodynamics: Faraday Instability

    This post is part of a collaborative series with FYP on pilot-wave hydrodynamics. Previous entries: 1) Introduction; 2) Chladni patterns

    In 1831, in an appendix to a paper on Chladni plate patterns, physicist Michael Faraday wrote:

    “When the upper surface of a plate vibrating so as to produce sound is covered with a layer of water, the water usually presents a beautifully crispated appearance in the neighborhood of the centres of vibration.” #

    Faraday was not the first to notice this, as he himself acknowledged, but it was his many clever observations and tests of the phenomenon that led to its naming as the Faraday instability. Like Chladni patterns, Faraday waves can take many forms, depending on the geometry of the vibrator and the frequency and amplitude of its vibration.

    image

    Beneath the “crispations” at the air interface, the liquid inside the pool is also moving, driven by the vibrations into streaming patterns. Sprinkling particles into this flow reveals discrete recirculation zones that depend on the vibrations’ characteristics, as seen above. This behavior can even be used to assemble particles into distinct formations.

    image

    When the vibrations are large enough at resonant frequencies, the rippling waves at the surface become violent enough to start ejecting droplets. You can experience this for yourself using a Chinese spouting bowl  or a Tibetan singing bowl with some water. It’s also, bizarrely enough, a factor in alligator mating behaviors!

    Next time, we’ll explore what happens to a droplet atop a Faraday wave.

    (Image credits: N. Stanford, source; L. Gledhill, source; The Slow Mo Guys, source)

  • Pilot-Wave Hydrodynamics: Introduction

    Pilot-Wave Hydrodynamics: Introduction

    For the next week on FYFD, I’ll be doing something a little different. I’ve teamed up with FYP to produce a joint series of posts on pilot-wave hydrodynamics, a recent area of investigation on fluid systems that display quantum mechanical behaviors. We’ve touched on some aspects of this previously, but this series will get into more details, building from nineteenth century explorations of vibration all the way to current research. Each weekday FYP and FYFD will each feature a new post in the series, so you can look forward to ten entries total next week. I’ll start each FYFD entry with a recap of links to previous posts so you can be sure you haven’t missed any.

    To give you a taste of what’s to come, check out Nigel Stanford’s awesome “Cymatics” music video below. On Monday, we’ll start our exploration of pilot-wave hydrodynamics by examining some of the phenomena featured in the video. (Image credit: D. Harris, original; video credit: N. Stanford)

  • Featured Video Play Icon

    Hair-Washing in Microgravity

    I imagine that the most common questions astronauts get come in the form, “How do you do X in space?” In this video, astronaut Karen Nyberg demonstrates how she washes her hair in space. Using no-rinse shampoo, the process is not terribly different from on Earth: wet the hair, work in the shampoo, add a little more water, and use a towel and comb to work it through all the hair. The big difference is that Nyberg’s hair sticks almost straight up the whole time. That’s an effect of microgravity, obviously, but there are fluid forces at play, too, namely elastocapillarity.

    Hair typically feels quite different when it’s wet. Strands bunch together and feel stiffer. This is because of the water trapped in the narrow space between individual hairs. The water’s fluid characteristics (capillarity) affect the solid hairs and change their elastic properties – hence elastocapillarity. We see this on Earth, of course, but the effect is especially noticeable without gravity pulling the wet hair down. (Video credit: K. Nyberg/NASA; via APOD; submitted by Guillaume D.)

  • Featured Video Play Icon

    DIY Acoustic Levitation

    Acoustic levitation is a technique where multiple speakers are positioned to create standing waves that can levitate small objects using sound. It’s even possible to manipulate the levitating objects in three-dimensions with the right set-up, but until now, the technology has been confined to the laboratory. Now a group from the University of Bristol has created kits and instructions allowing the curious to build their own acoustic levitators at home. In the video, Dianna shares some of her own adventures in building and playing with these DIY levitators and travels to the U.K. to see more from the creators.

    I know what I’m adding to my list of electronics projects to try out! (Video credit: Physics Girl)

  • Lincolnshire KH Clouds

    Lincolnshire KH Clouds

    These beautiful Kelvin-Helmholtz clouds were spotted over Lincolnshire on December 19th. They form between two layers of air, one of which is moving faster than the other. Although that situation is not very unusual, the conditions have to be just right for visible clouds to form at that interface between layers, and the clouds themselves are typically short-lived. This set is particularly lovely with its smooth curves and breaking wave form. If you, like me, love these clouds but never manage to see them yourself, you can always try wearing some instead! (Image credit: A. Towriss; via BBC News; submitted by Vince D.)

  • Featured Video Play Icon

    A Hot Tub, Turned Fluidized Bed

    Fluidized beds continue to be all the rage among science YouTubers, but Mark Rober supersizes his by turning a broken hot tub into a massive bath of bubbling sand. His video includes a nice explanation of how a granular material like sand gets fluidized as well as how to make your own miniature bed. One of my favorite moments is shown in the animation below. When Mark drops a bowling ball into the fluidized bed, it creates a remarkably liquid-like splash. The ball sprays a splash curtain of sand up on impact and sinks into its own cavity. When the cavity seals behind the ball, it shoots up a tall jet of sand, just like a Worthington jet in water. Even with air fluidizing it, the sand doesn’t have surface tension, though, so the jet breaks up quite differently than water! (Video and image credit: M. Rober; submitted by clogwog)

  • Cloud Flows

    Cloud Flows

    When viewed at the right pace, clouds can flow. This timelapse of fog over Mt. Tamalpais State Park near San Francisco shows clouds moving over the hills there. Physically, this flow is an example of a familiar phenomenon known as a hydraulic jump. It happens when a fast-moving flow moves into a region of slower flow. The kinetic energy of the incoming flow gets transferred into potential energy, causing the flow to suddenly rise in height. It can also trigger turbulence, as seen on the right side of the animation. Watch carefully along a river, and you’ll see the same thing happening. Or, if your kitchen sink has a flat bottom, you can create a circular hydraulic jump just by turning on the faucet. You’ll get a region of fast flow right where the water impacts the basin, and a little ways out, you’ll see a circular jump where the water is suddenly taller and slower. That’s a hydraulic jump, too! (Image credit: Nicholas Steinberg Photography, source; submitted by Madi R.)

  • Flow Inside the Heart

    Flow Inside the Heart

    Inside each of us is a remarkable and constant flow, driven by a muscle that’s always at work. As blood circulates through our bodies, it goes through a surprisingly varied journey. In the heart, as seen above, blood flow is very unsteady and quite turbulent, due to the beating pulse of the heart. As valves open and close and the muscle walls constrict and relax, the rushing blood moves in eddy-filled spurts. In the outer reaches of our capillaries, however, the nature of the flow is quite different. Thanks to smaller vessel sizes and other factors, capillary blood flow is much steadier and more laminar. Viscosity becomes more important, as do the non-Newtonian properties of components in our blood. (Image credit: mushin111/YouTube, source; via Science; submitted by Gary N.)

  • Atmospheric Aerosols

    Atmospheric Aerosols

    Recently, NASA Goddard released a visualization of aerosols in the Atlantic region. The simulation uses real data from satellite imagery taken between August and October 2017 to seed a simulation of atmospheric physics. The color scales in the visualization show concentrations of three major aerosol particles: smoke (gray), sea salt (blue), and dust (brown). One of the interesting outcomes of the simulation is a visualization of the fall Atlantic hurricane season. The high winds from hurricanes help pick up sea salt from the ocean surface and throw it high in the atmosphere, making the hurricanes visible here. Fires in the western United States provide most of the smoke aerosols, whereas dust comes mostly from the Sahara. Tiny aerosol particles serve as a major nucleation source for water droplets, affecting both cloud formation and rainfall. With simulations like these, scientists hope to better understand how aerosols move in the atmosphere and how they affect our weather. (Image credit: NASA Goddard Research Center, source; submitted by Paul vdB)

  • Featured Video Play Icon

    Building with Sand

    Sand and water make a remarkable team when it comes to building. But the substrate – the surface you build on – makes a big difference as well. Take a syringe of wet sand and drip it onto a waterproof surface (bottom right), and you’ll get a wet heap that flows like a viscous liquid. Drop the same wet sand onto a surface covered in dry sand (bottom left), and the drops pile up into a tower. Watch the sand drop tower closely, and you’ll see how new drops first glisten with moisture and then lose their shine. The excess water in each drop is being drawn downward and into the surrounding sand through capillary action. This lets the sand grains settle against one another instead of sliding past, giving the sand pile the strength to hold its weight upright. (Video and image credit: amàco et al.)