Tag: flow visualization

Flamingo Fluid Dynamics, Part 1: A Head in the Game
Flamingos are unequivocally odd-looking birds with their long skinny legs, sinuous necks, and bent L-shaped beaks. They are filter-feeders, but a new study shows that they are far from passive wanderers looking for easy prey in shallow waters. Instead, flamingos are active hunters, using fluid dynamics to draw out and trap the quick-moving invertebrates they feed on. In today’s post, I’ll focus on how flamingos use their heads and beaks; next time, we’ll take a look at what they do with their feet.
Feeding flamingos often bob their heads out of the water. This, it turns out, is not indecision, but a strategy. Lifting its flat upper forebeak from near the bottom of a pool creates suction. That suction creates a tornado-like vortex that helps draw food particles and prey from the muddy sediment.
When feeding, flamingos will also open and close their mandibles about 12 times a second in a behavior known as chattering. This movement, as seen in the video above, creates a flow that draws particles — and even active swimmers! — toward its beak at about seven centimeters a second.
Staying near the surface won’t keep prey safe from flamingos, either. In slow-flowing water, the birds will set the upper surface of their forebeak on the water, tip pointed downstream. This seems counterintuitive, until you see flow visualization around the bird’s head, as above. Von Karman vortices stream off the flamingo’s head, which creates a slow-moving recirculation zone right by the tip of the bird’s beak. Brine shrimp eggs get caught in these zones, delivering themselves right to the flamingo’s mouth.
Clearly, the flamingo is a pretty sophisticated hunter! It’s actively drawing out and trapping prey with clever fluid dynamics. Tomorrow we’ll take a look at some of its other tricks. (Image credit: top – G. Cessati, others – V. Ortega-Jimenez et al.; research credit: V. Ortega-Jimenez et al.; submitted by Soh KY)
Fediverse Reactions
June 3, 2025
“Soap Bubble Bonanza
This video offers an artistic look at a soap bubble bursting. The process is captured with high-speed video combined with schlieren photography, a technique that makes visible subtle density variations in the air. The bubbles all pop spontaneously, once enough of their cap drains or evaporates away for a hole to form. That hole retracts quickly; the acceleration of the liquid around the bubble’s spherical shape makes the retracting film break into droplets, seen as falling streaks near the bottom of the bubble. The retraction also affects air inside the bubble, making the air that touched the film curl up on itself, creating turbulence. Then, as the film completes its retraction, it pushes a plume of the once-interior air upward, as if the interior of the bubble is turning itself inside out. (Video and image credit: D. van Gils)
May 30, 2025
Bigger Particles Slide Farther
Mudslides and avalanches typically carry debris of many shapes and sizes. To understand how debris size affects flows like these, researchers use simplified, laboratory-scale experiments like this one. Here, researchers mix a slurry of silicone oil and glass particles of roughly two sizes. The red particles are larger; the blue ones smaller. Sitting in a cup, the mixture tends to separate, with red particles sinking faster to form the bottom layer and smaller blue particles collecting on top. And what happens when such a mixture flows down an incline? The smaller blue particles tend to settle out sooner, leaving the larger red particles in suspension as they flow downstream. (Video and image credit: S. Burnett et al.)
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May 26, 2025
“Now I See – The Collection Vol. 1”
On the heels of his behind-the-scenes introduction, here’s the first volume of artist Roman De Giuli’s “Now I See”. In it, we appear to soar above vast colorful landscapes. Rivers flow past islands. Glaciers creep along valleys. Canyons cut through deserts. It’s like a bird’s eye view of our planet’s terrestrial wonders. (Video and image credit: R. De Giuli)
May 23, 2025
Fractal Fingers
$Close up image of green-dyed liquid in fractal branches on a clear acrylic surface.$
As bizarre as the branching fractal fingers of the Saffman-Taylor instability look, they’re quite a common phenomenon. In his video, Steve Mould demonstrates how to make them by sandwiching a viscous liquid like school glue between two acrylic sheets and then pulling them apart. The more formal lab-version of this is the Hele-Shaw cell, which he also demonstrates. But you may have come across the effect when pealing up a screen protector or in dealing with a cracked phone screen. In all of these cases, a less viscous fluid — specifically air — is forcing its way into a more viscous fluid, something that it cannot manage without the fluid interface fracturing. (Video and image credit: S. Mould)
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May 21, 2025
Mapping the Mozambique Channel
The Mozambique Channel boasts some of the world’s most turbulent waters, driven by eddies hundreds of kilometers wide. Eddies of this size — known as mesoscale — determine regional flows that influence local biodiversity, sediment mixing, and how plastic pollution moves. To better understand the region, scientists measured a mesoscale dipole from a research vessel.
Illustration of flows in the Mozambique Channel. The anticyclonic ring in dark blue rotates counterclockwise and consists of largely uniform water (labeled Ring: R1). To the south, in green, a cyclonic eddy rotates in a clockwise sense (labeled Cyclone: C1). This area is chlorophyll-rich and has varying salinity levels. Between the two is a filament of chlorophyll-rich water being drawn from the near-shore region (labeled Filament: F1).
The dipole consisted of a large anticyclonic ring (shown in dark blue) that rotated counterclockwise and a smaller cyclonic eddy (shown in green) that rotated clockwise. Between these eddies lay a central jet moving up to 130 centimeters per second that drew material out from the shoreline. In the anticyclonic ring, researchers found largely uniform waters with little chlorophyll. The cyclonic eddy, in contrast, was high in chlorophyll and had large variations in salinity. Those smaller-scale variations, they found, helped to drive vertical motions of up to 40 meters per day.
In situ measurements like these help scientists understand how energy flows through different scales in the ocean and how that energy helps transport nutrients, sediment, and pollution regionally. Such measurements also help us to refine ocean models that enable us to predict this transport and how regions will change as climate patterns shift. (Image credit: ship – A. Lamielle/Wikimedia Commons, eddies – P. Penven et al.; research credit: P. Penven et al.; via Eos)
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May 15, 2025
Kirigami in the Flow
Kirigami is a paper art that combines folding and cutting to create elaborate shapes. Here, researchers use cuts in thin sheets of plastic and explore how the sheets transform in a flow. Depending on the configuration of cuts, the sheets can stretch dramatically in the flow, creating complex, dynamic, and beautiful wakes. I feel like there must be some applications out there that would benefit from kirigami-induced mixing. (Video and image credit: A. Carleton and Y. Modarres-Sadeghi)
Fediverse Reactions
May 14, 2025
Creating Liquid Landscapes
Artist Roman De Giuli excels at creating what appear to be vast landscapes carved by moving water. In reality, these pieces are small-scale flows, created on paper. Now, De Giuli takes us behind the scenes to see how he creates these masterpieces — layering, washing, burning, and repeating to build up the paperscape that eventually hosts the flows we see recorded. The work is meticulous and slow, and the results are incredible. De Giuli’s videos never fail to transport me to a calmer, more pristine version of our world. I can’t wait to see the new series! (Video and image credit: R. De Giuli)
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May 9, 2025
Escape From Yavin 4
In an ongoing tradition, let’s take another look at some Star Wars-inspired aerodynamics. This year it’s the TIE fighter’s turn. Here, researchers simulate the spacecraft trying to escape Yavin 4’s atmosphere at Mach 1.15. The research poster’s blue contours show pressure contours, with darker colors connoting higher pressures. The bright low pressure region immediately behind the craft suggests a difficult, high-drag ascent and a turbulent, subsonic wake despite the craft’s supersonic velocity. (Image credit: A. Martinez-Sanchez et al.)
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May 5, 2025
Quietening Drones
A drone’s noisiness is one of its major downfalls. Standard drones are obnoxiously loud and disruptive for both humans and animals, one reason that they’re not allowed in many places. This flow visualization, courtesy of the Slow Mo Guys, helps show why. The image above shows a standard off-the-shelf drone rotor. As each blade passes through the smoke, it sheds a wingtip vortex. (Note that these vortices are constantly coming off the blade, but we only see them where they intersect with the smoke.) As the blades go by, a constant stream of regularly-spaced vortices marches downstream of the rotor. This regular spacing creates the dominant acoustic frequency that we hear from the drone.
Animation of wingtip vortices coming off a drone rotor with blades of different lengths. This causes interactions between the vortices, which helps disrupt the drone’s noise.
To counter that, the company Wing uses a rotor with blades of different lengths (bottom image). This staggers the location of the shed vortices and causes some later vortices to spin up with their downstream neighbor. These interactions break up that regular spacing that generates the drone’s dominant acoustic frequency. Overall, that makes the drone sound quieter, likely without a large impact to the amount of lift it creates. (Image credit: The Slow Mo Guys)
Fediverse Reactions
April 30, 2025