Lenticular clouds are peculiar enough that, for years, they’ve been mistaken for other things – often UFOs. These lens-shaped clouds tend to form near mountainous terrain, where air gets forced up and over the topology. If there’s a drop in temperature as the air rises, water can condense out to form the cloud. Once the air sinks, it warms enough that condensation is no longer possible. The result is a cloud that appears to stand still even though the air is moving. In reality, the cloud is constantly reforming from the moisture of incoming air. Lenticular clouds can form as a single layer, or they can form stacks like the one pictured above in Boulder, Colorado. They may seem odd, but they’re actually fairly common. If you live near hills or mountains, keep an eye out for them! (Image credit: @bayouowl; via Ilya L.)
Search results for: “flow visualization”
Songs in Soap
There are many beautiful ways to visualize sound and music – Chris Stanford’s fantastic “Cymatics” music video comes to mind – but this is one I haven’t seen. This visualization uses a soap film on the end of an open tube with music playing from the other end. You can see the set-up here. The result is a fascinating interplay of acoustics, fluid dynamics, and optics. As sound travels through the tube, certain frequencies resonant, vibrating the soap film with a standing wave pattern (3:20). At the same time, interference between light waves reflecting off the front and back of the soap film create vibrant colors that show the film’s thickness and flow.
When the frequency and amplitude are just right, the sound excites counter-rotating vortex pairs in the film (0:05), mixing areas of different thicknesses. With just a single note, the vortex pairs appear and disappear, but with the music, their disappearance comes from the changing tones. Watching the patterns shift as the film drains and the black areas grow is pretty fascinating, but one of the coolest behaviors is how the acoustic interactions are actually able to replenish the draining film (2:15). Because the tube was dipped in soap solution, some fluid is still inside the tube, lining the walls. With the right acoustic forcing, that fresh fluid actually gets driven into the soap film, thickening it.
There are several more videos with different songs here – “Carmen Bizet” is particularly neat – as well as a short article summarizing the relevant physics for those who are interested. (Video and research credit: C. Gaulon et al.; more videos here)
How Hummingbirds Drink
Hummingbirds are incredible acrobatic fliers, capable of hovering for more than 30 seconds at a time, even in windy conditions. Their feeding habits are equally impressive. Many species of hummingbirds have a forked tongue, each half of which curls over like a partial straw. As the bird extends its tongue, its beak compresses the space inside the tongue’s curls. Once in the nectar, both halves of the tongue re-expand, pulling liquid in along the full length of the tongue. For the birds, this is a much faster technique than simply sucking the nectar up like a straw. Hummingbirds can lick nectar more than ten times a second this way. For more gorgeous imagery of hummingbirds, be sure to check out National Geographic’s full feature. (Image credit: A. Varma, source; via Aarthi S.)
When Chaos is Not So Chaotic
In industry, tanks are often agitated or stirred to mix different elements. The goal is to create a laminar but chaotic flow field throughout the mixture. Introducing particles to such a system reveals that things are not quite as chaotic as they might seem. The photographs above show the pathlines of various large, glowing particles initially poured into the tank from above. Over time, the particles scatter off of structures in the mixed sections of the tank and end up trapped in vortex tubes that form above and below the agitator. Once trapped in the vortex tube, the particles follow helical paths inside the tube, creating patterns like those seen in the lower two photos. (Image and research credit: S. Wang et al., 1, 2, 3)
“Ink in Motion”
In this short film, the Macro Room team plays with the diffusion of ink in water and its interaction with various shapes. Injecting ink with a syringe results in a beautiful, billowing turbulent plume. By fiddling with the playback time, the video really highlights some of the neat instabilities the ink goes through before it mixes. Note how the yellow ink at 1:12 breaks into jellyfish-like shapes with tentacles that sprout more ink; that’s a classic form of the Rayleigh-Taylor instability, driven by the higher density ink sinking through the lower density water. Ink’s higher density is what drives the ink-falls flowing down the flowers in the final segment, too. Definitely take a couple minutes to watch the full video. (Image and video credit: Macro Room; via James H./Flow Vis)
Asperitas Clouds
This short timelapse captures an impressive display of asperitas clouds over Augusta, Georgia. Asperitas clouds, previously known as undulatus asperatus, are a new classification recommended by the Cloud Appreciation Society in 2009. Recently, the World Meteorological Organization indicated they would include the clouds in the their latest Cloud Atlas under the new name. Asperitas clouds form under conditions similar to those of mammatus clouds – in areas with stable, cool, sinking air near the outskirts of thunderstorms. Despite their ominous appearance, the clouds are not themselves an indicator of severe weather – just a spectacular display of our atmospheric dynamics. Happy World Meteorological Day! (Video credit: A. Walters; via Rebekah W/Flow Viz)
Breaking Down Vortices
Vortex rings are ubiquitous in nature, showing up in droplet impacts, in propulsion, and even in volcanic eruptions. Understanding the interaction and breakdown of multiple vortices with one another is therefore key. The image above shows a circular disk that’s being oscillated up and down (in and out of the page). As the disk moves and changes direction, it generates vortices that interact with one another. Here some of those interactions are visualized with fluorescent dye. The overlapping vortices form complex and beautiful shapes on their way to breakdown. (Image credit: J. Deng et al., poster, paper)
Soap Bubbles Up Close
Watching soap bubbles up close is endlessly fascinating. The iridescent colors reflect the soap film’s thickness, or, in the case of black spots, its lack thereof. The dancing of the colors shows the soap film’s flow and the ever-shifting balance of surface tension necessary to keep the film intact. Even the junctures of the bubbles–so precise and mathematically perfect in structure–reflect the molecular interactions that govern them. (Video credit: Stereokroma; via R. Weston)
“Kingdom of Colours”
Oil, paint, and soap combine to create a polychrome landscape in Thomas Blanchard’s “Kingdom of Colours” short film. Colorful droplets of paint coated in oil form anti-bubbles that skim along the liquid surface until they burst, dispersing new colors. One of my favorite touches in this video, though, are the branching fingers of color that appear repeatedly (most often in blue-violet). This is an example of a phenomenon known as the Saffman-Taylor instability. It’s a hallmark of a low viscosity fluid pushing into a higher viscosity one–like air into honey. (Image/video credit: T. Blanchard; via Flow Vis)
Creating Moana’s Ocean
Hopefully by now you’ve had an opportunity to see Disney’s film Moana. Fluid dynamics play a central role in the movie, and Disney’s animators faced the challenge of hundreds of shots requiring special effects to animate water, lava, waves, and wind. Science Friday has a great segment interviewing a couple of Moana’s animators, in which they discuss the process of turning the ocean itself into a character.
Because the physics of fluids is so complex, scientists and animators differ in the way they approach simulations. Scientists usually try to capture a full physical representation of a flow, simulating every detail to the smallest scale and time step. Animators, on the other hand, are interested in capturing a realistic feel for a flow. For an animator, the simulation should be exactly as complex as necessary to make the water move in a way a person believes it should. With Moana, animators had the extra challenge of melding the ocean character’s actions with appropriate water physics–think bubbles, drops, and splashes. The results are impressive and exceptionally fun. (Image credits: Disney/Science Friday; via Jesse C.)