The swirling psychedelic colors of a soap bubble come from the interference of light rays bouncing off the inner and outer surfaces of the film. As a result, the colors we see are directly related to the thickness of the soap film. Over time, as a film drains, black spots will appear in it. This happens where the bubble’s wall becomes thinner than the wavelength of visible light. Black spots will grow and merge as the film continues to thin. Then, when it’s too thin to hold together any longer, the bubble will pop and disappear. (Image credit: L. Shen et al., source)
Category: Art
“Water Ballet”
Artist Kamiel Rongen uses common substances like paint, oil, eggs, and even air freshener to create what he calls “water ballet.” His videos are full of ethereal and surreal landscapes full of color and motion. Buoyancy (or the lack thereof) plays a major role in his work – fluids often spurt upward like alien creatures emerging from a chrysalis. I’ve been debating with myself whether the fluids are actually rising or if they’re falling in front of an upside-down camera, and I’m not completely certain either way! I think that’s a testament both to Rongen’s artistry and to the awesome physics involved. Check out the full video below and you can see many more examples of Rongen’s work on his website. (Image and video credit: K. Rongen; h/t to James H.)
Fractal Fingers
Dyed isopropyl alcohol atop a thin layer of acrylic medium spreads in a fractal fingering pattern. Although the shapes are reminiscent of the viscous fingers seen in in the Saffman-Taylor instability, these patterns are most likely a result of surface tension. The lower surface tension of the alcohol causes Marangoni forces to pull it outward. The branching shapes indicate an instability, likely driven by surface tension, but the details of the mechanism behind it are unclear. (Image credits: J. Nahabetian)
Impressionist Foams
Imagine taking two panes of glass and setting them in a frame with a small gap between them. Then partially fill the gap with a mixture of dye, glycerol, water, and soap. After turning the frame over several times, the half of the frame will be filled with foamy bubbles. When you flip it again, the dyed glycerol-water will sink and penetrate the bubble layer, creating complex and beautiful patterns as it mixes. Some of the bubbles may get squeezed together until they coalesce into larger bubbles that shoot upward thanks to their increased buoyancy. Other smaller bubbles will wend their way upward as neighboring fluid shifts. If you examine the tracks left by individual bubbles, you can find patterns reminiscent of Impressionist paintings, as seen at the end of this Gallery of Fluid Motion video. (Image credit: A. Al Brahim et al., source)
“Flowers and Colors”
Many children have done the simple experiment of placing a cut flower in dyed water and watching as it changed color. The latest video from Beauty of Science relies on some related physics. Since the color of flowers typically depends on acidity, immersing a flower in dilute acid will change its color from pinks and purples to yellows and greens. Watching this transformation, we can learn about how fluids get transported through flowers.
Like the leaves on a tree, flowers are covered in tiny cells called stomata that can open and close. In the daytime, stomata are typically open to allow carbon dioxide to diffuse into the plant. (At the same time, water pulled up from the roots is evaporating out the stomata, as seen previously.) Once immersed in acid, the open stomata are no longer bringing in carbon dioxide; instead, the acid is diffusing in and slowly spreading through the petals. In the timelapse video, some areas of the petal change faster than others. This could indicate more open stomata in the regions that change first or even that some areas inside the petal transport water (and acid) better than others. (Video and image credit: Beauty of Science; see also Making Of)
Skyglow
Timelapse can be a beautiful way to highlight slow-moving flows like those in the sky. But it can also be valuable in showing differences in speed, as in the latest SKYGLOW Project video, “Colorado Serenade”, which shows the Colorado River and the skies overhead simultaneously. Timelapse highlights the difference in time scales between the fast-moving river and slower-moving clouds.
This mirrors an important phenomenon in fluid dynamics known as “separation of scales”. In a flow, there are often multiple effects at play and they may occur on different time (or length) scales. Which matters most in a given situation will depend on those scales. Consider a rocket engine. Combustion inside the engine ignites fuel and oxidizer, releasing heat. At the same time, the flow in the engine is key to mixing that fuel and oxidizer together so that all of the fuel and oxidizer ignites before it is sent downstream into the rocket nozzle. There are two important time scales here: the time it takes for the flow to mix fuel and oxidizer together and the time it takes for the combustive chemical reaction to take place. In an ideal world, engineers can balance those two time scales to maximize efficiency. But in the (admittedly less ideal) real world, this is not always possible. (Video and image credit: H. Mehmedinovic/SKYGLOW)
Sunset Flow
Day and night mix in this flow visualization of watercolor pigments and ferrofluid. The former, as suggested by their name, are water-based, whereas ferrofluids typically contain an oil base. This means the two fluids are immiscible. Like oil and vinegar in salad dressing, the only way to mix them is to break one into tiny droplets floating in the other. This is what happens near their boundary, where brightly-colored paint droplets float in a network of dark channels. To the right, the paint and ferrofluid have been swirled around to create viscous mixing patterns among the paint colors with occasional intrusions of thin ferrofluid fingers. (Image credit: G. Elbert)
“Dance Dance”
Artist Thomas Blanchard is no stranger to fluid dynamics. His previous short films focused on mixtures of oil and paint, but in “Dance Dance,” flowers are front and center. There are obvious splashes of color and clouds of diffusion toward the end of the video, but fluid dynamics are there throughout. The oozing, inexorable march of ice crystallizing over petals and leaves has a fluidity that’s heightened by timelapse. It’s a reminder that this phase change is unsteady and full of shifts too subtle to notice in real-time. In the second act, we see flowers blossoming in timelapse, bursting open dramatically before settling in with a subtle shift of their stamens. Motions like these are driven by the flow of fluids inside the plant. By shifting small concentrations of chemicals, plants drive the water in their cells via osmosis. This pumps up cells that cause the petals to spread and unfurl. (Video and image credit: T. Blanchard; via Colossal)
Chemistry in Infrared
Many chemical reactions, and the flows that accompany them, are invisible to the human eye. But in infrared wavelengths those same events are vibrant and energetic. In this video from the Beauty of Science group, various chemical reactions are shown in visible and IR wavelengths, revealing very different perspectives on the same thing. Many of the reactions are exothermic, meaning that they produce heat as they occur. Because of this the thermal imaging shows where the most intense reaction is occurring at a given time. Other areas gradually darken as diffusion and flow move and dilute the heat energy released. (Video and image credit: Beauty of Science, source)
“Moving Creates Vortices and Vortices Create Movement”
A new interactive installation by the Japanese art collective teamLab uses the movement of visitors to drive vortex motion. Entitled “Moving Creates Vortices and Vortices Create Movement,” the installation uses projectors in a mirror room to create the sensation of an infinite, indoor ocean that’s constantly churned by the paths visitors take. In the absence of motion, the room slowly fades to darkness. The installation is currently in the National Gallery of Victoria in Melbourne, Australia, and will be open until April 15th, 2018. (Image credit: teamLab; via Colossal; submitted by jshoer)
P.S. – Winter Olympic coverage will start on Monday, February 12th! – Nicole
