FYFD

Tag: vibration

  • Featured Video Play Icon

    Pigeon Flutter

    Birds are well-known for their vocalizations, but this isn’t their only way to produce noise. A new study on crested pigeons finds that the birds’ wings produce distinctive high and low notes during take-off. A low note takes place during each upstroke, and a high note is heard during the downstroke. A major source of the noise is the highly modified P8 feather. When airflow over the feather is fast enough, it sets off twisting and torsion in the feather through aeroelastic flutter. It’s this vibration that causes the noise. By playing back the notes at different speeds, researchers found that the crested pigeons use the notes’ timing as an alarm. When the cycle of high and low repeats in quick succession, they respond by taking off to escape the perceived danger.

    Other bird species are also known to use aeroelastic flutter to make noise. Check out these hummingbirds, which use flutter in their mating displays.   (Video credit: Science; research credit: T. Murray et al.)

  • Moving Fluids in the Right Direction

    Moving Fluids in the Right Direction

    One challenge in creating miniature labs-on-a-chip is keeping fluids moving in the desired direction. The top image above shows red and blue droplets being moved toward one another on the top and bottom of a vibrating surface. Eventually, they meet and mix in the middle. To force the fluids in the right direction, the surface is highly textured, as seen in the lower image. These tiny posts and arcs help trap air between the surface and the drop. This makes the drop’s contact area with the superhydrophobic substrate quite small. The arcs provide directionality, and, as the surface shakes, the drops inch along, releasing the arc on the trailing edge as they make contact with a new one. In effect, the droplets walk themselves just where their designers want them to go. (Image and research credit: T. Duncombe et al.; via SciTechDaily)

  • Featured Video Play Icon

    Chinese Spouting Bowl Physics

    In their newest video, the Slow Mo Guys recreated one of my favorite effects: vibration-driven droplet ejection. For this, they use a Chinese spouting bowl, which has handles that the player rubs after partially filling the bowl with water. By rubbing, a user excites a vibrational mode in the bowl. Watch the GIFs above and you can actually see the bowl deforming steadily back and forth. This is the fundamental mode, and it’s the same kind of vibration you’d get from, say, ringing a bell. 

    Without a high-speed camera, the bowl’s vibration is pretty hard to see, but it’s readily apparent from the water’s behavior in the bowl. In the video, Gav and Dan comment that the ripples (actually Faraday waves) on the water always start from the same four spots. That’s a direct result of the bowl’s movement; we see the waves starting from the points where the bowl is moving the most, the antinodes. In theory, at least, you could see different generation points if you manage to excite one of the bowl’s higher harmonics. The best part, of course, is that, once the vibration has reached a high enough amplitude, the droplets spontaneously start jumping from the water surface! (Video and image credits: The Slow Mo Guys; submitted by effyeah-artandfilm)

  • Featured Video Play Icon

    Songs in Soap

    There are many beautiful ways to visualize sound and music – Chris Stanford’s fantastic “Cymatics” music video comes to mind – but this is one I haven’t seen. This visualization uses a soap film on the end of an open tube with music playing from the other end. You can see the set-up here. The result is a fascinating interplay of acoustics, fluid dynamics, and optics. As sound travels through the tube, certain frequencies resonant, vibrating the soap film with a standing wave pattern (3:20). At the same time, interference between light waves reflecting off the front and back of the soap film create vibrant colors that show the film’s thickness and flow.

    When the frequency and amplitude are just right, the sound excites counter-rotating vortex pairs in the film (0:05), mixing areas of different thicknesses. With just a single note, the vortex pairs appear and disappear, but with the music, their disappearance comes from the changing tones. Watching the patterns shift as the film drains and the black areas grow is pretty fascinating, but one of the coolest behaviors is how the acoustic interactions are actually able to replenish the draining film (2:15). Because the tube was dipped in soap solution, some fluid is still inside the tube, lining the walls. With the right acoustic forcing, that fresh fluid actually gets driven into the soap film, thickening it.

    There are several more videos with different songs here – “Carmen Bizet” is particularly neat – as well as a short article summarizing the relevant physics for those who are interested. (Video and research credit: C. Gaulon et al.; more videos here)

  • Reader Question: Resonating Bottles

    Reader Question: Resonating Bottles

    Reader shoebill-san asks:

    why does it make that weird sound when i blow over a bottle? i did a science experiment in college where we looked at the resonance in a beaker at different water levels, is it like that? related?

    Blowing across the top of a bottle creates what’s called Helmholtz resonance, where air inside the neck of the bottle actually vibrates up and down, like you see in the animation above. The stream of air from your mouth creates low pressure just outside the bottle, pulling some of the air out. That air will tend to overshoot, ultimately causing pressure in the bottle neck to drop lower. That vacuum will pull air back into the bottle, at which point the low pressure your blowing supplies pulls it back out, and so on. The actual sound you hear comes from those puffs of moving air. In reality, they move too fast to see; the animation comes from a high-speed video, and I highly recommend watching the full vid.

    From your description, I’m not 100% sure what the experiment you did in college was, but I’m guessing it was some variation of the glass harp, where you rub a partially-filled glass and get an eerie sound that varies depending on how much water is in the glass. Like the bottle example above, that’s an example of resonance, but the two are different. In the bottle, it’s the air that’s resonating. For the glass harp, it’s the glass walls themselves that are resonating. The liquid inside just changes the pitch by slowing down the speed at which the glass’s walls vibrate. For a full and fantastic explanation of how that works, check out this video by Dan Quinn. (Image credit: N. Moore, source)

  • Sorting by Bubble

    Sorting by Bubble

    Microfluidic devices, also known as labs-on-a-chip, require clever techniques for processes like sorting particles by size. One such technique uses an oscillating bubble to sort particles. When the bubble vibrates back and forth (left) it creates what’s known as a streaming flow – large regions of recirculation (shown as gray ellipses in the right image). If the bubble is placed inside a channel, we say that two flows have been superposed; the device combines both the left-to-right flow of the channel and the recirculating streaming flow.

    Introduce a micron-sized particle into this combined flow, and it will get carried to the bubble and then bounced around by its effects (left). In fact, the larger the particle is, the more the bubble deflects it relative to the flow. You can see this in the image on the right as well. Here the frame rate has been matched to the bubble’s vibration, so the bubble appears stationary, and the particle paths look smooth. The gray lines show the fluid’s path, and individual solid particles are introduced at the left. The largest particle gets strongly deflected as it passes the bubble and exits at the top-right. A fainter, smaller particle follows after it. Being smaller, the bubble’s deflection on it is weaker, and this second particle exits along a path to the center-right. The result is a fast and simple method for particle sorting. (Image and research credit: R. Thameem et al., source)

  • Featured Video Play Icon

    The Tibetan Singing Bowl

    Rubbing a Tibetan singing bowl creates sound and a spray of droplets inside the container. But the reverse works, too! Instead of rubbing the bowl, one can project sound at it to make the droplets dance. In the video above, the speaker plays a sinusoidal wave at a frequency that resonates with the bowl. It activates the most basic vibrations in the bowl, making it bulge slightly front-to-back and then side-to-side. This is called the fundamental vibrational mode. The bowl doesn’t change shape enough to see by eye, but you can tell where the bowl is flexing the most – at the four points where the droplets are ejected! The larger vibrations there are what create the spray of droplets. (Video credit: D. Terwagne)

  • Growing Droplets on a Trampoline

    Growing Droplets on a Trampoline

    Droplets on a liquid surface will typically coalesce, thanks to gravity and the low viscosity of the air layer between them and the pool. In certain cases, droplets will partially coalesce, producing smaller and smaller droplets until they finally coalesce completely. Vibrating the liquid surface can help prevent this coalescence but only when droplets are small.

    In fact, if the pool is more viscous than the droplets, bouncing can be used to produce droplets of a desired size, as shown above. Because the droplets are less viscous, they deform more than the pool does – behaving somewhat like a bouncy ball hitting a rigid wall. In this system, large droplets are unstable and will undergo partial coalescence until they are small enough to bounce stably. The size of stable drops is determined by the frequency and acceleration of the bouncing bath; by tuning these parameters, researchers can select what size droplets they want to end up with. (Research credit: T. Gilet et al.; images and submission by N. Vandewalle)

  • Avoiding Coalescence

    Avoiding Coalescence

    Droplets hitting a liquid surface don’t always coalesce. Above you can see a tiny droplet bounce and skate along the surface of a larger, vibrating drop. The smaller droplet doesn’t coalesce because a tiny layer of air sits between it and the vibrating drop. To actually contact and coalesce, the droplet has to sit still long enough for that air layer to get squeezed out. Instead, the vibration of the larger drop bounces it upwards, refreshing the air layer and scooting the droplet along until it falls off the vibrating drop. (Image credit: C. Kalelkar and S. Phansalkar, source)

  • Inside Singing

    Inside Singing

    These are the vocal folds of a woman singing. Human speech (and song) results from interactions between elastic muscles and aerodynamics. As we exhale, the vocal folds are initially pushed apart, then the flow of air moving past creates low pressure (via the Bernoulli effect) that helps pull the folds together. As the folds close, high pressure again forms to force them open. This sets a cycle of oscillation or vibration that produces sound. To change the pitch of the sounds we create, we can lengthen or shorten the vocal folds or change their tension. In this respect, they behave somewhat similarly to the strings of a musical instrument. If you’d like to admire more vocal folds in action, check out this endoscopic video for four singers performing together. (Image credit: LinguaHealth, source)