Inside musical instruments gapes an emptiness that, to the eye of photographer Charles Brooks, resembles the vast architecture of music halls and cathedrals. In his series “Architecture in Music,” Brooks takes us into these empty spaces, revealing where the resonance at the heart of the instrument’s sound lies. In a stringed instrument like a violin, the vibration of the strings makes a relatively quiet sound on its own; it’s only in making the violin’s entire hollow body vibrate that resonance amplifies the strings. Similarly, wind instruments rely on air resonating within them to produce their sound. (Image credit: C. Brooks; via Colossal)
Inside a combustion chamber, temperature fluctuations can cause sound waves that also disrupt the flow, in turn. This is called a thermoacoustic instability. In this video, researchers explore this process by watching how flames move down a tube. The flame fronts begin in an even curve that flattens out and then develops waves like those on a vibrating pool. Those waves grow bigger and bigger until the flame goes completely turbulent. Visually, it’s mesmerizing. Mathematically, it’s a lovely example of parametric resonance, where the flame’s instability is fed by system’s natural harmonics. (Video and image credit: J. Delfin et al.; research credit: J. Delfin et al. 1, 2)
Wave action can be a major source of erosion along riverbanks and shorelines. But in a recent study, scientists were able to perfectly absorb incoming waves to create a downstream region with calm, wave-free waters.
Experimental data shows that waves approaching from the left interact with the resonant chambers and get perfectly absorbed, leaving the water on the right side still.
The group began with a narrow channel that waves could move down. They added two small, side-by-side cavities perpendicular to the channel; as waves travel down the channel, they resonate with the cavities, which reflect and transmit their own waves back into the channel. With the right tuning to the size and spacing of the cavities, the team was able to make the cavities’ waves perfectly cancel the channel’s waves. The group demonstrated this absorption theoretically, numerically, and experimentally.
Currently, they’ve only managed perfect absorption with a single wave frequency, but an array of cavities should be able to absorb a range of incoming waves. The authors hope their work will one day help protect coastal structures and prevent erosion by countering incoming waves. (Image and research credit: L-P. Euvé et al.; via APS Physics)
Ear plugs can be wonderful at blocking outside noise, but they come with a downside: they typically amplify internal bodily sounds, like our heartbeat, breathing, and chewing. This effect, called occlusion, is distracting enough for some users to forego ear protection or hearing aids. But a new prototype offers a hope for an occlusion-free future without requiring active noise-cancelling.
Most devices fit a short way inside our ear canals, which blocks outside sound well, but creates a little resonance chamber between the plug and our ear drums. It’s this gap that amplifies the low-frequency sounds within our bodies, making them seem much louder. To counter that, the team’s new plug contains foam sections arranged with hollow spaces between. By tuning the properties of the 3D-printed foam, they created a resonant structure inside the earbud that damps out those low-frequency body noises while still blocking outside sound.
Illustration of the earbud’s interior. The blue and green areas are foam-filled cavities.
So far the prototype has only been tested with an artificial ear designed for auditory tests; that’s enough to show that the concept works, but next they’ll redesign the bud to fit a human ear canal more comfortably. (Image and research credit: K. Carillo et al.; via APS Physics)
Blow across the top of a glass bottle, and you’ll get a whistle-like sound. Put some liquid in there and the pitch of the sound changes. Our vocal tracts are basically the same thing: a tube with a hole at the end. But as Joe Hanson shows in this Be Smart video, our ability to change the shape and resonance of our vocal tract by moving our tongues and lips enables us to make a wide range of vowel sounds. Enjoy this dive into the world of linguistic physics! (Video and image credit: Be Smart)
Photographer Charles Brooks offers a rare glimpse into the interiors of musical instruments in this series. Whether stringed, wind, or percussion, an instrument’s unseen interior structure creates the acousticresonance needed for their music. Brooks makes these spaces feel like vast cathedrals of sound, which, to the pressure waves emanating from the instruments, they are. Which is your favorite? Personally, I love the graceful lines of the cello and the rough surface of the didgeridoo. (Image credit: C. Brooks; via Colossal)
Some resonators aren’t perfect — nor are they meant to be! Here, researchers experiment with resonance using a disk shaking up and down over a pool of water. The disk never touches the water, but its movement makes the air above the water move in and out, like a miniature, changeable wind. The air flow distorts the water surface, creating waves just tens of microns high. Beneath the disk, the water forms standing waves, indicating resonance.
But the waves don’t stay under the disk. Beyond its edge, we see traveling waves moving outward, carrying some of the disk’s energy with them. This leakage is actually how many musical instruments, like a guitar, work. When the guitar strings are plucked, their vibrations are transmitted into the body of the guitar through its bridge, where the strings are anchored. The body acts as a resonator, amplifying the sound, some of which leaks out the sound hole. (Image and video credit: U. Jain et al.)
In the days of the Concorde — thus far the world’s only supersonic passenger jet — noise complaints from residents kept the aircraft from faster-than-sound travel except over the open ocean. With many pursuing a new generation of civil supersonic aircraft, researchers are looking at how those sonic booms could interact with those of us on the ground.
In this study, researchers simulated the shock waves from aircraft interacting with single and multiple buildings on the ground. They found that the presence of a building increases the perceived sound level of the boom by about 7 dB at the most. But the most interesting results are what happens between multiple buildings.
If the street between buildings is wide enough, they each act independently, as if they were single buildings. But for narrower streets, the acoustics waves reflect and diffract between the buildings, creating a resonance that makes the acoustic echoes last longer. The effect is especially pronounced for a sonic boom traveling across a series of buildings, which mimics the layout of a dense city full of urban canyons. (Image credit: Concorde – M. Rochette, simulation – D. Dragna et al.; research credit: D. Dragna et al.)
Acoustic waves reflect and propagate through 2D urban canyons with widths of 10 meters (top), 20 meters (middle), and 30 meters (bottom).
Resonance is a phenomenon that is both familiar and somewhat mysterious. It takes place when a system is excited near its natural frequency. In this case, we’re seeing a mechanical resonance that’s driven by sound waves near the glass’s natural frequency. Once excited, the glass vibrates by flexing side-to-side along one axis and then again in a perpendicular direction. Eventually, the amplitude of this flexing is large enough to break the glass. When the glass is filled with water, its flexing instead generates a cloud of tiny droplets in a process known as vibration-induced atomization. The inverse problem — an empty glass resonating within a pool of liquid — is also an extremely cool problem. (Image and video credit: The Slow Mo Guys)
In her ongoing quest to explore natural resonance, Dianna has enlisted some very nice, very expensive speakers to find out just what happens when the bass drops. If you ever wondered what the natural frequency of your eyeballs is, then this one’s for you.
