Tag: acoustics

Sound Interactions
Sound waves often interact with many objects before we hear them. Understanding and controlling those interactions is a major part of acoustic engineering. The animations above show shock waves–sound–from a trumpet interacting with different objects. The sound is made visible using the schlieren optical technique, allowing us to observe the reflection, absorption, and transmission of sound as it hits different surfaces. Fiberboard, for example, is highly reflective, redirecting the sound waves along a new path without a lot of damping. In contrast, the metal grid is only weakly reflective and a small portion of the incoming sound wave is transmitted through the grid. To see more examples, check out the full video, and, if you want to learn more about acoustics, check out Listen To This Noise. (Image credits: C. Echeverria et al., source video)
December 1, 2014
“Cymatics”
Nigel Stanford’s new “Cymatics” music video is full of stunning science-inspired visuals. The entire video is set up around various science demos–many of which will be familiar to readers–that translate sound or vibration into visual elements. The video uses ferrofluids, vibrates vodka on a speaker to create Faraday waves, and visualizes resonant sound waves with a Rubens’ tube. I don’t want to give away all the awesome effects, so watch it for yourself, and then check out their behind-the-scenes page where they talk about how they created each effect. (Video credit: N. Stanford; submitted by buckitdrop)
Also, today is the final day of voting for the Vizzies, an NSF-sponsored contest for the best science and engineering visuals. Head over to their website to check out the finalists and choose your favorites!
November 17, 2014
Rubens’ Table
Veritasium’s new video has an awesome demonstration featuring acoustics, standing waves, and combustion. It’s a two-dimensional take on the classic Rubens’ tube concept in which flammable gas is introduced into a chamber with a series of holes drilled across the top. Igniting the gas produces an array of flames, which is not especially interesting in itself, until a sound is added. When a note is played in the tube, the gas inside vibrates and, with the right geometry and frequency, can resonate, forming standing waves. The motion of the gas and the shape of the acoustic waves is visible in the flames. Extended into two-dimensions, this creates some very cool effects. (Video credit: Veritasium; via Ryan A.; submitted by jshoer)
April 18, 2014
Fluids Round-up – 5 October 2013
This is the last week that my IndieGoGo project is open for donations. All money above and beyond what is needed for the conference will go toward FYFD-produced videos. Also, donors can get some awesome FYFD stickers.
As a reminder, those looking for more fluids–in video, textbook, or other form–can always check out my resources page. And if you know about great links that aren’t on there, let me know so that I can add them. On to the round-up!
- Popular Science has look at what it was like to fly on the Concorde, the only supersonic commercial airliner ever flown.
- For the cyclists and CFD folks out there, Zipp has put out a new video discussing their Firecrest wheels’ aerodynamics.
- io9 explains how superhydrophobic surfaces impart a charge to water droplets and how this can be used to increase efficiency at power plants.
- BuzzFeed UK has 32 fun science GIFs, several of which are fluids-related, and several of which will look familiar to long-time readers. (via Flow Visualization on FB)
- Wired has an intriguing short on Acoustic Archives, a group that focuses on capturing the acoustic qualities of historic locations using custom-designed 3D microphones.
- Congratulations to Richard over at Flow Viz for hitting his 100th post! Here’s to many more.
- Finally, our lead image comes from Martin Klimas. Smithsonian’s blog has a feature on his work in which he transforms songs from artists like Pink Floyd, Daft Punk, and Bach into sonic sculptures using paint on speakers. (via Flow Visualization on FB)
I had a lot of fun earlier this week giving a talk for the Texas A&M Applied Mathematics Undergraduate Seminar series. I didn’t get a chance to record it, but the slides are up here if anyone is interested.
(Photo credit: M. Klimas)
October 5, 2013
Fluids Round-up – 24 August 2013
Fluids round-up time! Here are your latest fluids links to check out:
- One of the great fundamental questions of life is, of course: what is the airspeed velocity of an unladen swallow? Jonathan Corum explains how to use fluid dynamics to estimate the answer. (submitted by Andrew C)
- Sound and acoustics play a big role in fluid dynamics. Check out acoustics blog Listen To That Noise to learn more about the subject daily.
- io9 has a great collection of crazy natural ice sculptures, some of which remind me of wild airfoil-shaped ice I found several years back.
- For the chemically-inclined, Simon Gladman has a neat implementation of Hiroki Sayama’s Swarm Chemistry that adds fluid dynamics and advection into the simulation. Check out videos and get links to the code here.
- Finally, TED has some gorgeous photos of unusual clouds including our headliner, a lovely example of a Kelvin-Helmholtz cloud, to go along with Gavin Pretor-Pinney’s talk on the joys of cloud-spotting. (via Flow Visualization on FB)
(Photo credit: G. Pretor-Pinney)
August 24, 2013
The Silence of Owls
Owls are nearly silent hunters, able to swoop down on their prey without the rush of air over their wings giving away their approach, thanks to several key features of their feathers. The trailing edge of their feathers–or any lifting body, like an airplane wing–are a particular source of acoustic noise due to the interaction of turbulence near the surface with the edge. Since owls are especially good at eliminating self-produced noise in a frequency range that overlaps human hearing, investigators want to learn what works for owls and apply to it aircraft. A recent theoretical analysis uses a simplified model of the feather as a porous, elastic plate. The researchers found that the combination of porosity with the elasticity of the trailing edge significantly reduced noise relative to a rigid edge. (Photo credit: N. Jewell; research credit: J. Jaworski and N. Peake)
May 10, 2013
Turning Sound Into Imagery
The acoustic signatures of many animals contain features we humans cannot appreciate, given the limited range of frequencies we can hear. In fluid dynamics and many other fields, scientists and engineers have to find ways to analyze and decompose time-series data–like acoustic pressure signals–into useful quantities. Mark Fischer uses one tool for such analysis, a wavelet transform, to turn the calls of whales, birds, and insects into the colorful snapshots seen here. Wavelet transforms are somewhat similar to Fourier transforms but represent a signal with a series of wavelets rather than sinusoids. They’re also widely used for data compression. (Image credits: M. Fischer/Aguasonic Acoustics; via DailyMail)
April 18, 2013
Didgeridoo Soap Bubble
This high-speed video shows a soap bubble being blown via didgeridoo, a wind instrument developed by the Indigenous Australians. The oscillations of the capillary waves on the surface of the bubble vary with the frequency of note being played. High frequency notes excite small wavelengths, whereas lower notes create large wavelength oscillations. For more fun, check out what you can do with didgeridoos in space. (submitted by Christopher B)
September 6, 2012
Space Didgeridoo
This week astronaut Don Pettit is playing with acoustic oscillators on the space station. He and Dan Burbank transform some of their vacuum cleaner tubes into didgeridoo-like instruments. By buzzing into the tube, Pettit is creating an acoustic standing wave, and, depending on the geometry at the far end, the wavelength of the standing wave and thus pitch of the sound is shifted.
June 1, 2012
How Shock Waves Form
Most people are familiar with the Doppler effect–in which the frequency of a wave changes depending on the motion of the observer relative to the wave source–from the shifting pitch of sirens as they pass. But the effect is important for pressure waves in addition to acoustic waves. When an object moves through air, its motion disturbs the surrounding air via pressure waves, which travel at the speed of sound. If an object moves slower than the speed of sound (top right), then those pressure waves extend in front of the object, carrying information about the object and allowing the air to shift and move smoothly around it.
If the object is moving at the speed of sound (bottom left), then it arrives at the same time as the pressure waves. In essence, the object is striking a stationary wall of air–this is what was meant by “breaking the sound barrier”. At Mach 1, the physics of the problem have fundamentally shifted. Now the only way for air to deflect to allow the object’s passing is by the sudden compression of a shock wave.
Moving even faster than the speed of sound (bottom right) the pressure and sound waves created by the object’s motion stretch in a cone behind it. The cone, known as a Mach cone, is the shock wave that deflects air around the moving object. The result is that the object will actually pass an observer before the observer will hear it. This is because no information can travel forward of the Mach cone’s leading edge. That’s why the area outside of the Mach cone is sometimes called the Zone of Silence. When the Mach cone passes an observer, the shock wave will register as a boom, like when the space shuttle passes overhead while landing. (via fyeahchemistry)
January 23, 2012