Filmmaker Roman De Giuli returns to his roots with this short fluid-filled film inspired by the color gold. He combines paint, ink, powders, and particles in a mix of micro- and macroscale photography. As always, the results are a mesmerizing plethora of fluid phenomena: Marangoni flows, turbulence, vorticity, viscous fingering and so much more. (Video and image credit: R. De Giuli)
Photographer Jonathan Knight likes capturing waterfalls about 45 minutes after sunset, creating ghostly images that emphasize the shape of the cascading water. The dim surroundings and misty shapes remind me of old daguerreotypes. See more of his images on his website and his Instagram. (Image credit: J. Knight; via Colossal)
In “Dispersion,” particles spread under the influence of an unseen fluid. Like Roman de Giuli’s work, filmmaker Susi Sie creates macro images that look like ice floes, deserts, and river deltas viewed from above. This similarity of patterns at both large and small scales is a specialty of fluid physics. Just as artists use it to mimic larger flows, scientists use it to study planet-scale problems in the lab. (Video and image credit: S. Sie et al.)
Temperatures in the Arctic are rising faster than elsewhere, triggering more and more melting. Photographer Scott Portelli captured a melting ice shelf protruding into the ocean in this aerial image. Across the top of the frozen landscape, streams and rivers cut through the ice, leading to waterfalls that flood the nearby ocean with freshwater. This meltwater will do more than raise ocean levels; it changes temperature and salinity in these regions, disrupting the convection that keeps our planet healthy. (Image credit: S. Portelli/OPOTY; via Colossal)
Lava floods human-made infrastructure on Iceland’s Reykjanes peninsula in this aerial image from photographer Ael Kermarec. Protecting roads and buildings from lava flows is a formidable challenge, but it’s one that researchers are tackling. But the larger and faster the lava flow, the harder infrastructure is to protect. Sometimes our best efforts are simply overwhelmed by nature’s power. (Image credit: A. Kermarec/WNPA; via Colossal)
The glittering blue interior of an ice cave sparkles in this award-winning image by photographer Yasmin Namini. The cave is underneath Iceland’s Vatnajokull Glacier. Notice the deep scallops carved into the lower wall. This shape is common in melting and dissolution processes. It is unavoidable for flat surfaces exposed to a melting/dissolving flow. (Image credit: Y. Namini/WNPA; via Colossal)
Thomas Blanchard’s short film “The Ballet of Colors” plunges viewers into a warm spectrum of roiling oil and paint. Fluid dynamically speaking, it could be subtitled “the Plateau-Rayleigh instability” thanks to its focus on retracting paint ruptures and ligaments breaking into droplets. Unlike some other videos of this genre, Blanchard uses a high-speed camera here, filming the action at 1,000 frames per second, and the result is smooth, crisply focused, and absolutely delectable. (Video and image credit: T. Blanchard et al.)
Common terns are gregarious sea birds that cruise low over the water to fish. When they spot prey, they will dip down to grab a fish from the surface, or they will fold their wings to plunge-dive to depths of half a meter. Compared to gannets and boobies, these are slower, shallower dives that involve less impact risk. Presumably the birds’ choice of dive height reflects the typical swim depth of their preferred fish. (Image credit: N. Kovo/WPOTY; via Colossal)
Known as “The Land of Fire and Ice,” Iceland has some of the most striking landscapes around. Photographer Jennifer Esseiva captures auroras, waterfalls, geysers, rivers, and more in this series from her 2024 trip to the island. Every one of these images bears the fingerprints of fluid dynamics: plasma flows lighting up the night sky; rivers of lava that formed the land; rivers and oceans that carve through the landscape; and pressurized, superheated water that shoots up from underground plumbing. (Image credit: J. Esseiva; via Colossal)
Inspired by the film Oppenheimer, artist Thomas Blanchard created “Trinity,” a short film imagining a nuclear explosion with macro-scale fluid motion. There’s clever video editing and compositing in this video, but no CGI. Instead, Blanchard filmed fire, sparklers, alcohol inks, pigments and more up close and in stunning detail. As always, his work is a reminder of the amazing possibilities of analog-based art. (Video and image credit: T. Blanchard)