Roman De Giuli’s “Otherworld, Volume 1” is a beautiful exploration of color and flow. Glittery particulates act as tracers in the flow, reminiscent of the way rheoscopic fluids do. In many sequences, the glitter lends a sense of texture to the flow. Without context, I cannot say whether those are true flow features, but they certainly remind me of instabilities like Tollmien-Schlichting waves. (Image and video credit: R. De Giuli)
Hydrogen bubbles rise off zinc submerged in hydrocholoric acid in this short film from the Beauty of Science team. In high-speed video, the rise of the bubbles is stately and mesmerizing. Notice how the smallest bubbles appear as perfect spheres; for them, surface tension is strong enough to maintain that spherical shape even against the viscous drag of their buoyant rise. Larger bubbles, formed from mergers both seen and unseen, have a harder time staying round. In them, surface tension must battle gravitational forces and drag from the surrounding fluid. (Image and video credit: Beauty of Science; via Laughing Squid)
One of the challenges in fluid dynamics is considering the instantaneous versus the average. Many flows — especially turbulent ones — are different at every point in space and in time. That’s a lot of data to collect and to wrap one’s head around. So often researchers will average turbulent measurements over a period of time and break that information down into two variables: an average velocity and a fluctuating one.
What does that have to do with this image? Well, by capturing the River Avon’s flow near Pulteney Bridge as a long exposure, photographer Peter Leadbetter gives us a look at the river’s “averaged” flow. The long exposure smooths out some of the intermittent features visible in a faster picture, and instead draws our attention to the overall path of the flow and regions that may behave differently, like those near the wall in the foreground. The averaging researchers do is much the same. It will erase or obscure some features while making the large-scale patterns more obvious. (Image credit: P. Leadbetter; submitted by Ioanna S.)
What do you get when you spin a splash? I expect the result is a lot like these whirling fluid structures captured by photographer Hélène Caillaud. I love the fantastical shapes she creates as sheets and filaments are flung outward. These liquid sculptures look like everything from the perfect martini glass to the skirts of a flamenco dancer. Check out the full gallery of images, and be sure to look around at Caillaud’s other stunning liquid art while you’re there. (Images credit: H. Caillaud)
If birds left trails in the sky, what would they look like? This is the question that haunted photographer Xavi Bou and inspired him to create his “Ornitographies” series. Using video of birds in flight, he combines frames to construct these snapshots of flight. In them, birds become streaklines feathered with wingbeats.
I love how the technique highlights the patterns of flapping flight. A bird flying steadily over a lake becomes a wavy line with consistent, perfectly matched up- and downstrokes, whereas a bird just taking off has short, fast wingbeats that slowly lengthen and steady out as the bird gets aloft. Flocks of birds turn into a tornado of swirling lines as they land or take-off en mass. (Image credit: X. Bou; via Flow Vis)
One of the most beautiful chemical reactions is the Belousov–Zhabotinsky reaction, and it’s the subject of the latest video from Beauty of Science. Known colloquially as the BZ reaction, it begins as growing spots of color that turn into rings and chaotic spirals as the chemical reaction progresses.
Mathematically, the BZ reaction is a type of reaction-diffusion system, meaning that the patterns we see depend both on the speed of local chemical reactions and the time necessary for chemical reagents to move (or diffuse) throughout the dish. Although the diffusion in these systems can simply be the random wandering of molecules, fluid dynamics also plays a role. Variations in chemical concentration between different regions of the reaction drive fluid flows that continue to feed the pattern-making until all the reagents are consumed. (Image and video credit: Beauty of Science; via PetaPixel; submitted by clogwog)
I love when science and art come together, which is why I’ve long been a fan of the Flow Vis course at CU Boulder. Some of my earliest posts on FYFD date from previous editions of the course. Here are a few of my favorite images from the Fall 2019 class, from the top:
For those in the Front Range area, the Flow Vis class will be showcasing their work on Saturday, December 14th at the Fiske Planetarium. Snacks are at 4:30 pm and the show starts at 5 pm. For those not nearby, you can peruse the art from this semester and previous ones at your leisure online. (Image credits: colorful ferrofluid – R. Drevno; falling oobleck – A. Kumar; droplets – A. Barron; macro ferrofluid – A. Zetley)
In his short film, “Magic Fluids,” Roman De Giuli uses cyan, magenta, and yellow paints to generate a rainbow of macro colors. All the fluid motion you see is a practical effect, painstakingly created by layering paints and flow mediums of different densities. Like in Siqueiros’ “accidental painting” technique, the less dense paints will eventually rise through the upper layers and spread. De Giuli uses the effect for its motion, but the same physics is key for many artists who use acrylic pouring to paint. (Video and image credit: R. De Giuli)
Frightening as they can be in the moment, storms have a power and majesty all their own. I’ve never seen a better way to capture that than through timelapse, and photographer Nicolaus Wegner offers a great one in “Stormscapes 4″. I particularly like how his frame captures the motion of storms and how they shear, rotate, and billow as they evolve. With a quick glance upward, it’s easy to miss that motion, even if it is fundamental to these storms. Sit back and enjoy. (Video and image credit: N. Wegner)
Ocean waves are endlessly fascinating to watch. In “Mocean,” cinematographer Chris Bryan captures them in ways few ever see, thanks to his high-speed camera. Honestly, this film is so gorgeous that I don’t want to distract you with the science, so just go watch!
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All done? Pretty wonderful, right? There’s nothing quite like seeing those holes break and expand through sheets of water, tearing what looked solid into a spray of droplets that bleed salt into the atmosphere. Or how about those rib vortices underneath the waves? Or the cloud-like turbulence of the waves breaking overhead? How fortunate we are to see and capture and share such beauty! (Video and image credit: C. Bryan; via RedShark; submitted by Michael F.)
