Tag: surface tension

  • Viscoelasticity and Bubbles

    Viscoelasticity and Bubbles

    Bursting bubbles enhance our drinks, seed our clouds, and affect our health. Because these bubbles are so small, they’re easily affected by changes at the interface, like surfactants, Marangoni effects, or, as a recent study shows, viscoelasticity.

    A bubble released in pure water pops at the surface, creating a rebounding jet and a daughter droplet.
    A bubble released in pure water pops at the surface, creating a rebounding jet and a daughter droplet.

    In clean water, a bubble’s burst generates a rebounding jet that shoots off one or more daughter droplets, as seen in the animation above. But when researchers added proteins that modify only the water’s surface, they found something very different. As seen below, the bursting bubble no longer generated a jet, and, instead of forming droplets, it made a single, tiny daughter bubble. The difference, they found, comes from the added viscoelasticity of the surface. The long protein molecules resist getting stretched, which damps out the tiny waves that surface tension usually produces on the collapsing bubble cavity. (Image and research credit: B. Ji et al.; submission by Jie F.)

    When the surface of water is viscoelastic, a bursting bubble creates no jet and a daughter bubble instead of a drop.
    When the surface of water is viscoelastic, a bursting bubble creates no jet and a daughter bubble instead of a drop.
  • Why Sea Foams

    Why Sea Foams

    Seawater froths and foams in ways that freshwater rarely does. A new study pinpoints the ocean’s electrolytes as the reason bubbles resist merging there. By studying the final moments before bubbles coalesce in both pure and salt water, researchers found that dissolved salts slow down the drainage of the thin film of liquid between two bubbles. Once the film reaches a 30-50 nanometer thickness, its electrolyte concentration causes a difference in surface tension that slows the outward flow of liquid in the film. That keeps the film in place longer and makes bubbles form foams instead of merging or popping. (Image credit: P. Kuzovkova; research credit: B. Liu et al.; via APS Physics)

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    Scuba-Diving Fly

    Mono Lake, three times saltier than the ocean, is an extreme environment by any measure. But for the alkali fly, it’s home. This extremophile insect dives into the lake, protected by a bubble sheath, to eat and lay eggs. The fly’s wings and body are covered in tiny, waxed hairs that repel water. That traps a bubble of air around the insect, allowing it to breathe. Fresh oxygen can diffuse into the bubble from the water, replenishing the supply. (Image and video credit: Deep Look)

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    Aquatic Escape Artists

    Springtails are tiny hexapods found living on the air-water interface. Like other creatures living at the interface, they sometimes need to make a quick escape. For the springtail, that means a high-flying leap, driven by their fork-shaped furcula. The springtail soars into the air, where it contorts its body and uses aerodynamic forces — along with a droplet it carries on its belly — to orient itself. For landing, it uses that droplet as a sticky anchor that helps it adhere to water (or ground) instead of bouncing. Nailing that landing sets it up to make another daring escape as quickly as needed. (Video and image credit: Deep Look; research credit: V. Ortega-Jimenez et al.)

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    “Emerald and Stone”

    “Emerald and Stone” is filmmaker Thomas Blanchard’s tribute to the music of Brian Eno. The short film is made, as Blanchard puts it, with “inks and painting,” but I suspect there’s some oil in there, too, to coat the droplets we see. Much of the movement is likely driven by surface tension variations in the background fluid. I love the effect this has on the droplets. If you watch closely, some of them appear to rotate like a miniature planet; others have counter-rotating sections within the drop. The difference, I suspect, is one of scale: I think the smaller drops rotate altogether while larger ones develop more complex internal flows. (Video and image credit: T. Blanchard)

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    “Discovery”

    Colors stream and mix in Rus Khasanov’s short film “Discovery.” Droplet-like liquid lenses float in the mixture until ethanol or other ingredients cause them to spontaneously rupture, sending their interior flowing outward until the lens reaches a new equilibrium. Gradients in surface tension guide Marangoni flows across the screen. There’s never-ending beauty in the world of macro fluids. (Video and image credit: R. Khasanov)

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    “Space Iris”

    Ruslan Khasanov’s “Space Iris” explores the similarities between nebulae and eyes. Made entirely with common fluids like paint, soap, and alcohol, the film shows off the gorgeous possibilities of surface-tension- and density-driven instabilities. Marangoni flows abound! I even see some hints of solutal convection, perhaps? (Video and image credit: R. Khasanov; via Colossal)

  • Getting Water Out of Your Ear

    Getting Water Out of Your Ear

    Swimming often results in water getting stuck in our ear canals. The narrow space, combined with the waxy surface, is excellent at trapping small amounts of water. If left in place, that excess fluid distorts hearing, can cause pain, and may eventually lead to an ear infection. So most people’s common response is to tilt their head sideways and shake it or jump to knock the water out. This recent study looks at just how much acceleration is needed to dislodge that water.

    An acceleration of 7.8g isn't enough to remove the water from this artificial ear canal.
    An acceleration of 7.8g isn’t enough to remove the water from this artificial ear canal.

    The team built an artificial ear based on the shape of a human’s ear canal and observed how much acceleration was needed to knock the water out. The answer? Quite a bit. As seen above, nearly 8g of acceleration was enough to distort the interface of the water in the ear canal, but it didn’t move the water out.

    At higher accelerations — above 20 times the acceleration due to gravity – the air-water interface distorts enough to get the water to flow. But accelerations that large are enough to potentially damage brain tissues.

    At over 24g, the acceleration is enough to dislodge the water from this artificial ear canal. But accelerations this high can cause brain damage.
    At over 24g, the acceleration is enough to dislodge the water from this artificial ear canal. But accelerations this high can cause brain damage.

    The problem is worse for children and babies, whose tiny ear canals necessitate even larger accelerations. For them, shaking hard enough to remove water could cause real damage. Instead, a couple drops of vinegar or alcohol in the ear will lower the surface tension and make the fluid easier to remove. (Image credit: top – J. Flavia, others – S. Kim et al.; research credit: S. Kim et al.; submitted by Sunny J.)

  • Liquid Lens Rupture

    Liquid Lens Rupture

    A blob of sunflower oil floating on soapy water forms a disk known as a liquid lens. But add some dyed ethanol and things take a turn. The lens rapidly expands and distorts as the ethanol and soapy water meet. These surface flows are driven by the imbalance of surface tension between the different liquids. The liquid lens deforms and abruptly ruptures, releasing dye and ethanol before rebounding into a stable lens again. Adding more ethanol to the lens will repeat the cycle. (Image credit: C. Kalelkar and P. Dey; research credit: D. Maity et al.)

  • Bending in the Stream

    Bending in the Stream

    Nature is full of cilia, hairs, and similar flexible structures. Unsurprisingly, flows interact with these structures very differently than with smooth surfaces. Here, researchers investigate flow in a channel lined with flexible, hair-like plates. Initially, the channel is filled with oil and dark particles that help visualize the flow. Then, they pump water into the setup.

    As the water intrudes, it forms an interface with the oil. That interface is powerful enough to bend individual hairs in the system. When the hair bends far enough, it can touch its neighbor, sealing the oil inside the gap between them. Along the length of the channel, this behavior leads to trapped pockets of oil that never drain, no matter how much water flows by. (Image and research credit: C. Ushay et al.)