Tag: physics

Drops That Dig
On extremely hot surfaces, droplets will skitter on a layer of their own vapor, thanks to the Leidenfrost effect. This keeps the liquid insulated from contact with the hot surface. But what if the surface isn’t solid?
That situation is what we see above. Instead of soaking into a granular material like a room temperature droplet (left), a drop falling onto a very hot bed of grains digs a hole! As with a typical drop on a super hot surface, the heat vaporizes part of the droplet. As the vapor escapes, it carries sand with it, allowing the boiling drop to burrow its way into the material. As the temperature difference between the sand and droplet changes, the digging slows. Eventually, the drop comes to a rest and boils away. (Video and image credit: J. Zou et al.)
November 8, 2019
Pollock Avoided Coiling
Artists are often empirical masters of fluid dynamics, as they must be to achieve the effects they want. Jackson Pollock was particularly known for his so-called dripping technique, in which he dropped filaments of paint from brushes, cans, and even syringes as he moved around a horizontal canvas. (Scientifically speaking, this wasn’t really dripping since the paint wasn’t breaking up into droplets for the most part, but that’s another story.)
What Pollock was doing, fluid dynamically speaking, is the subject of a new study. Researchers analyzed historical footage of Pollock painting to measure the typical heights from which he dropped paint and the speed at which he moved. Then they built their own apparatus to mimic the painting style with modern paints and study the flow regime Pollock’s technique falls into.
Since much of the paint falls in a steady stream, like syrup falling onto pancakes, the researchers wondered whether the paint was likely to coil the way other viscous fluids do. What they found, however, is that Pollock’s choice of height and speed when applying paint seems deliberately designed to avoid the coiling instability. That fact suggests that art historians might identify forged paintings in part from the presence of too much coiling among the paint filaments. (Image credits: photo – M. Holmes/LIFE, painting – J. Pollock; research credit: B. Palacios et al; via Ars Technica; submitted by Kam-Yung Soh)
November 7, 2019
Streaming Fire
I’m just going to start this one with a blanket statement: DO NOT TRY THIS. Instead, enjoy the fact that the Internet enables us to enjoy the sight of burning gasoline in slow mo without any danger to ourselves.
In this video, Gav and Dan capture a burning bucket of gasoline as it’s thrown against glass. One thing this stunt really highlights is that it’s not the liquid gasoline that burns, it’s the vapor. However, since gasoline is volatile – in other words, it evaporates easily – the fire is quick to spread, especially as the toss atomizes droplets near the edge of the fluid. That’s why you see distinct streaks near the edge of the spreading flame and a non-burning liquid in the center. (Image and video credit: The Slow Mo Guys)
November 6, 2019
Trails from a Delta Wing
Rhodamine (red) and fluorescein (green) dyes highlight the complex flows around a delta wing. To visualize the flow, researchers painted the apex of the delta wing with rhodamine, which gets drawn into the core of the wing’s leading edge vortex. The green fluorescein dye was added to the wing’s trailing edge, where it gets pulled into the secondary structure of the vortices. A laser illuminates the flow, making even the most delicate wisps of dye shine. As the wake behind the wing develops, the dyes reveal growing instabilities along the vortices. Given time and space, these instabilities will grow large enough to destroy any order in the wake, leaving behind turbulence. (Image and research credit: S. Morris and C. Williamson; see also poster)
November 5, 2019
Inside Tears of Wine
Pour wine or liquor into a glass, give it swirl, and you can watch as droplets form and dance on the walls. This well-known phenomena, often called “tears” or “legs” in wine, results from an interplay of surface tension and evaporation. Despite its common occurrence, researchers are still discovering interesting subtleties in the physics, as seen in new research on the subject.
Dianna walks you through the phenomenon step-by-step in this video. The key piece of physics is the Marangoni effect, the tendency of regions with high surface tension to pull flow from areas with lower surface tension. In the wine glass, evaporation creates this surface tension gradient by removing alcohol more quickly from the meniscus than the bulk. That sets up the gradient that lets the wine climb the glass. By preventing or delaying that evaporation, we can see other neat effects, too, like shock fronts that travel through the film. (Video credit: Physics Girl; research credit: Y. Dukler et al.)
November 4, 2019
Shearing Grains
Granular materials, like beads and sand, demonstrate both solid and fluid-like behaviors, which makes them difficult to study. Traditionally, one method for studying how fluids respond to deformation places the fluid in a ring-shaped cell with a rotating outer wall. That creates a uniform shear, as indicated by the red arrows above. For granular materials, though, this classic set-up usually breaks the grains up into two separate regions, one that behaves solidly and the other that behaves fluidly.
To get past that issue and study grains under truly uniform shear, researchers built a new version of the classic apparatus. In this new ring-shaped cell, the outer wall moves but so do independent concentric rings beneath the grains. This allows researchers to see how grains move under uniform shear (left) and what kinds of forces develop between jammed grains in the system (right). (Image and research credit: Y. Zhao et al.; via APS Physics; submitted by Kam-Yung Soh)
November 1, 2019
“Silk”
With the right lighting and eye, billowing streaks of dye and paint can become the ethereal wisps of silk. Artist Susi Sie explores this dichotomy in “Silk,” a short, fluidic film made entirely in macro. Sometimes there’s astounding beauty in the complexity of a fluid filmed up close. (Video and image credit: S. Sie)
October 31, 2019
Seeing Past the Surface
Satellite imagery has revolutionized remote sensing and our ability to observe the world around us. But peering past the surface of water has always been next to impossible. We might be able to see the extent of a coral reef from a photo, but thanks to the interplay of light and water, the details are too blurry to identify what species we’re looking at.
To solve this issue, researchers decided to work backwards, taking everything we understand about the physics of light – refraction, reflections, and so on – and using it to remove the distortions. The result is NASA’s FluidCam, an instrument capable of of taking a video of shallow waters less than 10 m deep, processing it, and producing images with sub-centimeter accuracy showing what lies beneath. Tests in American Samoa revealed details fine enough that scientists were able to identify multiple coral species as well as many of the species of fish inhabiting the reef.
With coral reefs changing quickly, this technology may be invaluable for monitoring coral health without actively disrupting these delicate systems. (Image credit: N. Usry; research credit: V. Chirayath and A. Li; via OceanBites; submitted by Kam-Yung Soh)
October 30, 2019
Whale Feeding
Whether in groups or as individuals, humpback whales are canny hunters. They herd prey together by encircling them and releasing bubbles that form a “net” that bars escape. Then, the whales lunge through the center with open mouths, gathering prey. Scientists have long wondered whether humpbacks’ unusually long pectoral fins played any role in their hunting. New drone observations of whales feeding (see video below) are beginning to provide some hints.
The scientific teams observed multiple individual whales feeding under the same circumstances and found that the whales used their fins quite differently. Both used them as additional barriers to prevent prey from escaping, but one whale favored a horizontal fin position that created currents that helped sweep prey into its mouth. The other whale used a more vertical fin position that, while hydrodynamically unfavorable, exposed its bright underside, which seemed to startle prey into fleeing into its darker, more inviting mouth. (Image credit: K. Kosma; video credit: M. Kosma; research credit: M. Kosma et al.; via Science)

October 29, 2019
Fiery Streaklines
Embers fly through the Kincade wildfire leaving streaks of light that reveal the strong winds helping drive the fire. This unintentional flow visualization mirrors techniques used by researchers to understand how flows are moving. The shutter of the camera remains open for a fixed time, so the length of each streak tells us about the speed of the flow. Longer streaks occur where embers moved faster.
Here we see the longest streaks in the upper left side of the image, which tells us that the wind was moving faster there than it did at lower heights, like near the photographer in the picture. That’s in keeping with what we would expect. In general, winds move faster above the ground than they do near the surface. That speed difference is one of the reasons wildfires are so difficult to contain; a single ember caught by high winds is easily carried to unburnt areas, allowing the fire to spread more quickly than if it had to burn along the ground. (Image credit: J. Edelson/Getty Images; via Wired)
October 28, 2019