Category: Art

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    “Art of Paint”

    Filmmaker Roman De Giuli is always coming up with spectacular and visually fascinating new ways to manipulate ink and other liquids. In “Art of Paint,” he applies thin layers atop a custom plate that can be tilted in any direction. The results sometimes resemble acrylic paint pours, sometimes Marangoni flows, and sometimes look more like salt fingers or Rayleigh-Taylor instabilities. The extreme variety of forms is quite unique among these sorts of films and is well worth taking the time to view in fullscreen. (Image and video credit: R. De Giuli)

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    “Timedrift II”

    As a teenager, I climbed Mount Kilimanjaro. The final ascent began around midnight, and we climbed through the dark, through sunrise, and into the early morning. I remember pausing at one point, just as the sun was rising, and looking out at the clouds thousands of meters below. From that height, they looked like an ocean, rippled with lavender waves. Timelapse films like this one, by filmmaker Martin Heck, remind me of that morning and the sense that I had of the sky as an ocean, flowing, crashing, and surging in ways we cannot appreciate until we slow down and look closer. (Image and video credit: M. Heck/Timestorm Films)

  • “Metamorphe”

    “Metamorphe”

    A smoke-like haze drifts over surreal landscapes in the “Metamorphe” series by Reuben Wu and Jenni Pasanen. Though fluidic in appearance, these pieces are a merger between Wu’s drone light photography and Pasanen’s AI-assisted digital creations. Even so, the images are extremely evocative of fluid motion, connected as they are to human senses (like smell, hearing, and touch) that often rely directly on fluid dynamics. For more, check out the artists’ sites and Instagram. (Image credits: R. Wu and J. Pasanen; via Colossal)

  • Aqueous Chandeliers

    Aqueous Chandeliers

    Colorful dyes falling through water form chandelier-like, branching shapes. These formations are the result of a slight density difference between the heavier dyes and the surrounding water. As the dye falls, Rayleigh-Taylor instabilities cause the mushroom-like blobs and their branches. With creativity and photographic skill, Mark Mawson turns these ephemeral shapes into bold liquid sculptures, frozen in time. See more of his work in these previous posts, on his website, and on Instagram. (Image credit: M. Mawson)

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    “Life and Chaos”

    In “Life and Chaos,” artists Roman Hill and Paul Mignot shot fluid flows live in a 1 cm x 1 cm square, then projected those images across 3,300 square meters. There’s something incredible about art on this immersive scale. It is literally impossible for any one visitor — or even the artists themselves — to experience the full piece; each person, by definition, can only take in a small part of the whole. That makes it all the more incredible to derive such a piece from a tiny, tiny canvas. As venues for this sort of immersive art spread, I can only imagine the amazing art we’ll see! (Image and video credit: R. Hill and P. Mignot)

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    “Water III”

    In “Water III,” filmmaker Morgan Maassen explores the ocean from above and below. I love the sheer variety of fluid phenomena; yes, there are classic breaking barrel waves for surfing, but there are also rib vortices and bubble plumes and churning turbulence that wouldn’t be out of place in a stormy Midwestern sky. Enjoy! (Image and video credit: M. Maassen)

  • A Forest of Ferrofluids

    A Forest of Ferrofluids

    Ferrofluids are made up of ferrous nanoparticles suspended in a carrier fluid like an oil. Under magnetic fields, they take on an array of shapes — from pointed spikes to elaborate labyrinths — depending on the field strength and what fluids they’re surrounded by. This photographic series by Linden Gledhill captures some of that fantastic variety, with ferrofluids that look like cells and nebulas in addition to mazes and tridents. See more of Gledhill’s work at his website and in previous posts. (Image credit: L. Gledhill)

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    “I See You”

    In “I See You,” filmmaker Rus Khasanov captures fluid flows that give the screen an eye with which to gaze back at us. The textures visible in the flows are incredible at mimicking the details of a human iris. These are some seriously neat Marangoni flows. For a similar effect, check out this film of his. (Image and video credit: R. Khasanov)

  • The Odd Air Bubbles

    The Odd Air Bubbles

    Though it looks like a strange underwater panorama, this image by photographer Marek Miś actually captures air bubbles trapped beneath the slip cover of a microscope slide smeared with drying callus remover. According to Miś, “Callus remover is one of my favourite agents for taking micrographs. It can create unusual crystalline forms. This time I found on the slide these interesting air bubbles before the callus remover started to crystallise.” I confess that I wouldn’t have thought to use callus remover for art!

    This image earned 3rd place in the Micro category of the Close-Up Photographer of the Year awards. See more winners here, and find more from Miś on the web and Instagram. (Image credit: M. Miś)

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    “Velocity”

    In this short film by Vadim Sherbakov, macro shots of glittery ink and pigments look like astronomical vistas. The title of the film, “Velocity,” is spot on; every shot is full of flow and motion driven by the mixture of ink, alcohol, soap, and other fluids. That means lots of surface-tension-driven flow, and the glitter particles act as excellent tracers, giving a real sense of depth and direction for our gaze to follow. Watching films like this, I always want to pull out some odds and ends and try it for myself, but I’m certain my results would pale in comparison! (Video and image credit: V. Sherbakov; via Colossal)