The Acoustics of Stonehenge

A 1:12 scale model of Stonehenge inside a semi-anechoic chamber for acoustic measurements.

Stonehenge has long been an astronomical wonder, but did you know it’s an aural wonder as well? A team of acoustic engineers and an archaeologist constructed and tested a 1:12 scale model of the monument as it existed around 2200 B.C. Their model included 157 3D-printed stones (which took about nine months to print!), carefully engineered to reflect ultrasonic frequencies the way the full-size Stonehenge reflects frequencies in our auditory range. (Using the higher frequency sound at a smaller physical scale allows engineers to match the physics of the real henge.)

The team found that the stones of the henge amplified sound by about 4 decibels, enough to make a speaker’s voice easy to hear, even when facing a different direction. The structure also provided some reverberation that would enhance musical instruments or singing. Stonehenge had reverberation levels similar to a modern-day large movie theater, which is absolutely incredible for a prehistoric structure constructed in the open air.

For more interesting details on the model’s construction and testing, check out this article at Physics Today. (Image and research credit: T. Cox et al.)

Comments

One response to “The Acoustics of Stonehenge”

  1. Mark Forror Avatar

    The more we know about these prehistoric cultures in the British Isles the more we’ve learned how much THEY KNEW about the physical world around them.

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