FYFD

Tag: surface tension

  • Lasers and Soap Films

    Lasers and Soap Films

    Soap films are a great system for visualizing fluid flows. Researchers use them to look at flags, fish schooling and drafting, and even wind turbines. In this work, researchers explore the soap film’s reaction to lasers. When surfactant concentrations in the soap film are low, laser pulses create shock waves (above) in the film that resemble those seen in aerodynamics. The laser raises the temperature at its point of impact, lowering the local surface tension. That temperature difference triggers a Marangoni flow that draws the heated fluid outward. The low surfactant concentration gives the soap film relatively high elasticity, and that allows the shock waves to form.

    In contrast, a soap film with a high concentration of surfactants has relatively little elasticity. In these films (below), the laser creates a mark that stays visible on the flowing soap film. This “engraving” technique could be used to visualize flow in the soap film without using tracer particles. (Image and research credit: Y. Zhao and H. Xu)

    When surfactant concentrations are high, a laser pulse "engraves" spots onto a flowing soap film. Shown in terms of interference (left) and Schlieren (right) imaging.
    When surfactant concentrations are high, a laser pulse “engraves” spots onto a flowing soap film. Shown in terms of interference (left) and Schlieren (right) imaging.
  • Surviving Rainfall

    Surviving Rainfall

    Water striders spend their lives at the air-water boundary, skittering along this interfacial world. But what happens when falling rain destroys their flat existence? That’s the question that motivated today’s research study, which looks water striders subjected to artificial rain.

    Although the water drops themselves are far heavier than the insects, the water doesn’t strike hard enough to injure the insects. Neither a direct impact nor the forces from a neighboring impact, the researchers found, were enough to pose a problem for the water strider’s exoskeleton. Instead, they’re more likely to get flung or submerged, as follows:

    The initial impact of a raindrop creates a large crater. Depending on the position of the insect relative to the point of impact, this may fling the insect away or pull it down into the cavity.
    The initial impact of a raindrop creates a large crater. Depending on the position of the insect relative to the point of impact, this may fling the insect away or pull it down into the cavity.

    When the drop hits, it creates a big crater in the water’s surface. Insects to the outside of the splash get flung outward, while those closer to the point of impact ride the crater wall downward. As the crater collapses, it forms a thick jet that pushes nearby water striders up with it.

    As the initial cavity collapses, it creates a large jet that can push the strider into the air.
    As the initial cavity collapses, it creates a large jet that can push the strider into the air.

    As that initial jet collapses, it forms a second crater, which — being smaller and narrower — collapses much faster than the first one. That action, researchers found, often submerges a water strider caught in the crater.

    The first jet's collapse creates a second crater, and it's this one that tends to trap and submerge the water striders underwater.
    The first jet’s collapse creates a second crater, and it’s this one that tends to trap and submerge the water strider underwater.

    Fortunately for the insect, their water-repellent nature means they’re covered in a thin bubble of air that lets them survive several minutes underwater. That’s time enough for the water strider to rescue itself. (Image credit: top – H. Wang, animations – D. Watson et al.; research credit: D. Watson et al.; via APS Physics)

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    “Origin”

    Billowing turbulence, mushroom-like Rayleigh-Taylor instabilities, and spreading flows abound in Vadim Sherbakov’s “Origin.” The short film takes a macro looks at fluids — inks, alcohols, soaps, and other household liquids. It was filmed entirely on a DJI Pocket 2, a rather small, stabilized pocket camera. It’s a testament to what you can achieve with some experimentation and relatively inexpensive equipment. (Video and image credit: V. Sherbakov)

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    “Lucid”

    Artist Roman Hill made this official music video to go with Thomas Vanz’s “Lucid.” The imagery, formed from ink and other fluids, warps our sense of scale. Though the camera focuses on an extremely small area, to our eyes the results shift from nebulas to oceans and back again. There are likely a whole host of phenomena going on here, but without knowing more about Hill’s ingredients, I can only speculate that there are Marangoni flows driven by variations in surface tension and maybe some density instabilities going on between fluid layers. I’m also fairly confident that Hill has played with time reversal in the video editing. Regardless of the secrets in its making, the film is captivating and gorgeous. (Image and video credit: R. Hill)

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    “Perfect Sky”

    It’s all blue skies in Roman De Giuli’s short film, “Perfect Sky.” Created with paint, ink, and glitter on paper, it’s a relaxing piece of fluid art. Put on your headphones, take a deep breath, and plunge in. You’ll see lots of gorgeous Marangoni effects, some low Reynolds number mixing, and various instabilities. (Video and image credit: R. De Giuli)

  • Mocha Diffusion

    Mocha Diffusion

    These firework-like patterns spread when dyes are added atop a viscous but miscible lower fluid layer. Here, researchers use lower layers like corn syrup and xanthan gum; then they spread dye mixtures including ammonia and vinegar atop those layers. Because the upper and lower layers of fluid are miscible and can diffuse into one another, they together form elaborate patterns. The mixing of the two layers creates gradients in surface tension that can drive the flow and create these mocha diffusion patterns. (Image credit: T. Watson and J. Burton)

  • “Mosquito Egg Raft”

    “Mosquito Egg Raft”

    A raft of mosquito eggs floats on water in this award-winning image by Barry Webb. Capillary effects stretch and distort the interface, creating a complicated meniscus where the eggs meet the water. (Image credit: B. Webb from CUPOTY; via Gizmodo)

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    “High Flow”

    Roman De Giuli’s “High Flow” is vibrant and energetic. Colorful paints and inks flow across the page, creating complex patterns. I love the blossoming flows, feathery fronds, and spreading Marangoni effects. De Giuli’s films never disappoint! (Video and image credit: R. De Giuli)

  • Water Jumping Hoops

    Water Jumping Hoops

    Small creatures like springtails and spiders can jump off the air-water interface using surface tension. But larger creatures can water-jump, too, using drag. Here, researchers study drag-based water jumping with a simple elastic hoop. Initially, two sides of the hoop are pulled closer by a string, deforming the hoop. Then, with the hoop sitting upright on the air-water interface, a laser burns the string, releasing the energy stored in the hoop. The hoop’s bottom pushes into the water, generating drag. That resistance provides a reaction force strong enough to launch the hoop.

    Compared to the hoop’s jumps off land, it’s slower to take-off from water, and it’s less efficient at jumping. Lighter hoops, however, jump better off water than heavier ones — a wrinkle that isn’t seen in ground jumpers. That suggests that weight reduction is more important for aquatic jumpers than for their terrestrial counterparts. (Image and research credit: H. Jeong et al.)

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    The Hydrodynamics of Marbling

    In marbling, an artist floats paints on a viscosified water bath, using various thin tools to manipulate the final image. Many cultures have developed a version of this art, but for many it will be most recognizable as a technique used to decorate book interiors. In this video, researchers consider the physics behind this beautiful practice. Surface tension helps keep the paint on the surface, even though it’s denser than the water it’s on. Variations in surface tension shape and reshape the surface as new colors are added. And then low-Reynolds-number effects help artists mix the paints without inertia or diffusion disturbing the pattern. See more examples here, here, and here. (Video credit: Y. Sun et al.)