Imagine taking two panes of glass and setting them in a frame with a small gap between them. Then partially fill the gap with a mixture of dye, glycerol, water, and soap. After turning the frame over several times, the half of the frame will be filled with foamy bubbles. When you flip it again, the dyed glycerol-water will sink and penetrate the bubble layer, creating complex and beautiful patterns as it mixes. Some of the bubbles may get squeezed together until they coalesce into larger bubbles that shoot upward thanks to their increased buoyancy. Other smaller bubbles will wend their way upward as neighboring fluid shifts. If you examine the tracks left by individual bubbles, you can find patterns reminiscent of Impressionist paintings, as seen at the end of this Gallery of Fluid Motion video. (Image credit: A. Al Brahim et al., source)
Tag: Rayleigh-Taylor instability

“Ink in Motion”
In this short film, the Macro Room team plays with the diffusion of ink in water and its interaction with various shapes. Injecting ink with a syringe results in a beautiful, billowing turbulent plume. By fiddling with the playback time, the video really highlights some of the neat instabilities the ink goes through before it mixes. Note how the yellow ink at 1:12 breaks into jellyfish-like shapes with tentacles that sprout more ink; that’s a classic form of the Rayleigh-Taylor instability, driven by the higher density ink sinking through the lower density water. Ink’s higher density is what drives the ink-falls flowing down the flowers in the final segment, too. Definitely take a couple minutes to watch the full video. (Image and video credit: Macro Room; via James H./Flow Vis)


Acrylic and Oil
Photographer Alberto Seveso is well-known for ink in water art, some of which FYFD has featured previously (1, 2, 3). More recently, he’s been experimenting with alternative methods, dropping fluids like acrylic paint into sunflower oil. The effect is quite different but no less beautiful. Because the paint and oil are immiscible, the boundaries between the two fluids are much more clearly defined and highlighted in an iridescent sheen. Instead of appearing like billowing waves of silk, the paint forms abstract and alien shapes driven by gravity, inertia, and density differences. For many more great examples, check out Seveso’s website. (Photo credit: A. Seveso)

Four Seasons
The team behind Beauty of Science decided to explore the four seasons in this video combining macro footage of crystal growth, chemical reactions, and fluid dynamics. It’s always a fun game with videos like this to try and guess exactly what makes the mesmerizing patterns we see. Are those blue streaming waves in Spring caused by alcohol shifting the surface tension in a mixture? Are the dots of color welling up in Autumn a lighter fluid bursting up from underneath a denser one? As fun as the visuals are, though, what really made this video stand out for me was its excellent use of “The Blue Danube” to tie everything together. Check it out and don’t forget the audio! (Video credit: Beauty of Science; via Gizmodo)





Accidental Painting

Some paintings of Mexican artist David Alfaro Siqueiros feature patchy, spotted areas of contrasting color formed by what Siqueiros described as “accidental painting”. Many modern artists use this technique as well. By pouring thin layers of two different colors atop one other, Siqueiros was able to generate seemingly spontaneous patterns like those shown above. In fact, what Siqueiros was using was a density-driven fluid instability! These patterns will only appear when a denser paint is poured atop a lighter one. They’re the result of a Rayleigh-Taylor instability – the same behavior that makes beautiful swirls of cream in coffee and the finger-like protrusions seen in supernovae.
Although a density difference is necessary to generate accidental painting, other factors like the paint layer’s thickness and viscosity affect the final pattern. For those who are mathematically-inclined, this paper has a linear stability analysis that shows how density difference, viscosity, and other factors affect the cell sizes in the pattern. (Image and research credits: S. Zetina et al.; GIF source)

Gunshot Back-Splatter
Today blood pattern analysis is an important forensic technique used in reconstructing the events at crime scenes. Many methods use straight-line trajectories to try to isolate the origin of blood splatters, but this discounts the effects of gravity and drag on flying droplets. A new theory models the back-splatter of a gunshot wound fluid dynamically.
Using characteristics of the bullet and gunshot, it estimates the initial conditions of blood drops leaving a wound, then models the break-up of the fluid as a Rayleigh-Taylor instability, where a denser fluid (blood) is accelerating into a less dense fluid (air). This results in a moving cloud of droplets and air whose trajectory and impact on a surface can be calculated. The ultimate goal is to create a physical model that can be used in reverse, where analysts can observe patterns and calculate their origin with confidence. For more, see the original paper or Gizmodo’s coverage. (Image credit: T. Webster; research credit: P. Comiskey et al.)

Rayleigh-Taylor Waves
Here on Earth, placing a denser fluid over a lighter one creates an unstable equilibrium. Thanks to gravity, the heavier, denser fluid wants to sink and the lighter fluid wants to rise. Any small disturbance will kick this into action, just like a tiny nudge can send a ball rolling down the hill. For the fluid, that nudge manifests as waviness in the interface between the two fluids. That waviness will quickly grow into billows like those shown above as the Rayleigh-Taylor instability takes over and the heavy (clear) fluid trades places with the lighter (green) fluid. You’ve probably witnessed this effect yourself when pouring milk into iced coffee. To see it in action, check out the video of this experiment or my FYFD video on the Rayleigh-Taylor instability. (Image credit: M. Davies Wykes)

Falling Ink
Photographer Linden Gledhill created these nebula-like composites from photos of ink diffusing in water. The work was inspired by Mark Stock’s “Spherical Rayleigh-Taylor Instabilities” series featured here last week. Like Stock’s computational art, the twisted fingers and vortex rings above form due to the denser ink falling through less dense water. The interface between the two fluids distorts under the effects of gravity and the fluids’ relative motion. Such shapes are ephemeral at best; the falling ink will quickly become turbulent and diffuse throughout the water. (Photo credit and submission: L. Gledhill)

Numerical Rayleigh-Taylor
If you’ve ever dripped food coloring or ink into a glass of water, you’ve probably created a cascade of tiny vortex rings similar to the images above. This is the Rayleigh-Taylor instability, in which the heavier ink/food coloring falls under gravity into the less dense water. What’s shown above is a special case–one that no experiment can recreate. It’s a numerical simulation of a spherical Rayleigh-Taylor instability. Imagine a sphere of a dense fluid “falling” outward under the influence of a radial gravitational field. This is one of the interesting aspects of computational fluid dynamics–it can simulate situations that are impossible to create experimentally. That can be both a strength and a weakness, allowing researchers to probe otherwise unavailable physics or fooling the unwary into thinking they have captured something real. (Image credit: M. Stock)

Cream in Coffee
Pouring cream in coffee produces some of the most mesmerizing displays of fluid dynamics. The density difference between the two fluids sets up Rayleigh-Taylor instabilities that mushroom out and help create the turbulence that eventually mixes the drink. You can learn more about Rayleigh-Taylor instabilities in this FYFD video, and, if you need more awesome caffeine-filled examples of fluids, check out the coffee dynamics blog. (Video credit: S. Geraldine and L. Kang)





















