FYFD

Tag: marangoni effect

  • Lasers and Soap Films

    Lasers and Soap Films

    Soap films are a great system for visualizing fluid flows. Researchers use them to look at flags, fish schooling and drafting, and even wind turbines. In this work, researchers explore the soap film’s reaction to lasers. When surfactant concentrations in the soap film are low, laser pulses create shock waves (above) in the film that resemble those seen in aerodynamics. The laser raises the temperature at its point of impact, lowering the local surface tension. That temperature difference triggers a Marangoni flow that draws the heated fluid outward. The low surfactant concentration gives the soap film relatively high elasticity, and that allows the shock waves to form.

    In contrast, a soap film with a high concentration of surfactants has relatively little elasticity. In these films (below), the laser creates a mark that stays visible on the flowing soap film. This “engraving” technique could be used to visualize flow in the soap film without using tracer particles. (Image and research credit: Y. Zhao and H. Xu)

    When surfactant concentrations are high, a laser pulse "engraves" spots onto a flowing soap film. Shown in terms of interference (left) and Schlieren (right) imaging.
    When surfactant concentrations are high, a laser pulse “engraves” spots onto a flowing soap film. Shown in terms of interference (left) and Schlieren (right) imaging.
  • Vortex Below

    Vortex Below

    When a drop of ethanol lands on a pool of water, surface tension forces draw it into a fast-spreading film. Evenly-spaced plumes form at the edges of the film, then the film stops spreading and instead retracts. All of this takes place in about 0.6 seconds. But, as the image above shows, there’s more that goes on beneath the surface. A vortex ring forms and spreads under the film, driven by the shear layer under the edge of the plumes. Here, the vortex ring is visible in the swirling particles near the water surface. (Image and research credit: A. Pant and B. Puthenveettil)

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    “Lucid”

    Artist Roman Hill made this official music video to go with Thomas Vanz’s “Lucid.” The imagery, formed from ink and other fluids, warps our sense of scale. Though the camera focuses on an extremely small area, to our eyes the results shift from nebulas to oceans and back again. There are likely a whole host of phenomena going on here, but without knowing more about Hill’s ingredients, I can only speculate that there are Marangoni flows driven by variations in surface tension and maybe some density instabilities going on between fluid layers. I’m also fairly confident that Hill has played with time reversal in the video editing. Regardless of the secrets in its making, the film is captivating and gorgeous. (Image and video credit: R. Hill)

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    “Perfect Sky”

    It’s all blue skies in Roman De Giuli’s short film, “Perfect Sky.” Created with paint, ink, and glitter on paper, it’s a relaxing piece of fluid art. Put on your headphones, take a deep breath, and plunge in. You’ll see lots of gorgeous Marangoni effects, some low Reynolds number mixing, and various instabilities. (Video and image credit: R. De Giuli)

  • Mocha Diffusion

    Mocha Diffusion

    These firework-like patterns spread when dyes are added atop a viscous but miscible lower fluid layer. Here, researchers use lower layers like corn syrup and xanthan gum; then they spread dye mixtures including ammonia and vinegar atop those layers. Because the upper and lower layers of fluid are miscible and can diffuse into one another, they together form elaborate patterns. The mixing of the two layers creates gradients in surface tension that can drive the flow and create these mocha diffusion patterns. (Image credit: T. Watson and J. Burton)

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    “High Flow”

    Roman De Giuli’s “High Flow” is vibrant and energetic. Colorful paints and inks flow across the page, creating complex patterns. I love the blossoming flows, feathery fronds, and spreading Marangoni effects. De Giuli’s films never disappoint! (Video and image credit: R. De Giuli)

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    The Hydrodynamics of Marbling

    In marbling, an artist floats paints on a viscosified water bath, using various thin tools to manipulate the final image. Many cultures have developed a version of this art, but for many it will be most recognizable as a technique used to decorate book interiors. In this video, researchers consider the physics behind this beautiful practice. Surface tension helps keep the paint on the surface, even though it’s denser than the water it’s on. Variations in surface tension shape and reshape the surface as new colors are added. And then low-Reynolds-number effects help artists mix the paints without inertia or diffusion disturbing the pattern. See more examples here, here, and here. (Video credit: Y. Sun et al.)

  • Why Sea Foams

    Why Sea Foams

    Seawater froths and foams in ways that freshwater rarely does. A new study pinpoints the ocean’s electrolytes as the reason bubbles resist merging there. By studying the final moments before bubbles coalesce in both pure and salt water, researchers found that dissolved salts slow down the drainage of the thin film of liquid between two bubbles. Once the film reaches a 30-50 nanometer thickness, its electrolyte concentration causes a difference in surface tension that slows the outward flow of liquid in the film. That keeps the film in place longer and makes bubbles form foams instead of merging or popping. (Image credit: P. Kuzovkova; research credit: B. Liu et al.; via APS Physics)

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    “Discovery”

    Colors stream and mix in Rus Khasanov’s short film “Discovery.” Droplet-like liquid lenses float in the mixture until ethanol or other ingredients cause them to spontaneously rupture, sending their interior flowing outward until the lens reaches a new equilibrium. Gradients in surface tension guide Marangoni flows across the screen. There’s never-ending beauty in the world of macro fluids. (Video and image credit: R. Khasanov)

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    “Space Iris”

    Ruslan Khasanov’s “Space Iris” explores the similarities between nebulae and eyes. Made entirely with common fluids like paint, soap, and alcohol, the film shows off the gorgeous possibilities of surface-tension- and density-driven instabilities. Marangoni flows abound! I even see some hints of solutal convection, perhaps? (Video and image credit: R. Khasanov; via Colossal)