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Tag: pathlines

  • Glacier Timelines

    Glacier Timelines

    "The Rhone Glacier" by Fabian Oefner.

    Over the past 150 years, Switzerland’s glaciers have retreated up the alpine slopes, eaten away by warming temperatures induced by industrialization. But such changes can be difficult for people to visualize, so artist Fabian Oefner set out to make these changes more comprehensible. These photographs — showing the Rhone and Trift glaciers — are the result. Oefner took the glacial extent records dating back into the 1800s and programmed them into a drone. Lit by LED, the drone flew each year’s profile over the mountainside, with Oefner capturing the path through long-exposure photography. When all the paths are combined, viewers can see the glacier’s history written on its very slopes. The effect is, fittingly, ghost-like. We see a glimpse of the glacier as it was, laid over its current remains. (Image credit: F. Oefner; video credit: Google Arts and Culture)

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    Playing With Water in 2D Containers

    Once again Steve Mould is putting his prototyping skills to use to work out what goes on inside tricky containers. Here he looks at a “magic” wizard’s cup where — like the assassin’s teapot — cleverly placed holes in the side of the cup can block or allow air’s escape. In the wizard’s cup this lets the wizard refill the cup at will.

    He also takes a look at how draining works, using tracer particles and a video editing effect that “echoes” previous frames in a video. For the tracer particles, this algorithm effectively visualizes pathlines in the flow. Areas with faster-moving fluid have longer pathlines that are closer together, whereas slow-moving regions have short pathlines. (Video credit: S. Mould)

  • Corralling Corals

    Corralling Corals

    So much of fluid dynamics is seeking patterns. Shown here are two sets of patterns, each created by a different species of coral larvae. These tiny creatures form a streaming flow (orange inset) around them as they swim. Combined together in a petri dish, the larvae follow winding paths, shown in white. The overall pattern is distinctly different for the two species. One shows a clear preference for paths near the wall of the dish (left), while the other corkscrews through open spaces (right). This difference raises questions researchers can explore: do the larvae differ in their propulsion methods or in their collective behavior? (Image credit: G. Juarez and D. Gysbers)

  • Ciliary Pathlines

    Ciliary Pathlines

    For tiny creatures, swimming through water requires techniques very different than ours. Many, like this sea urchin larva, use hair-like cilia that they beat to push fluid near their bodies. The flows generated this way are beautiful and complex, as shown above. Importantly for the larva, the flows are asymmetric; that’s critical at these scales since any symmetric back-and-forth motion will keep the larva stuck in place. (Image credit: B. Shrestha et al.)

  • Paddling Pathlines

    Paddling Pathlines

    Rainbow lines cut through the darkness in photographer Stephen Orlando’s images of a kayak in motion. Equipped with an LED-lined paddle, Olympic kayaker Adam van Koeverden paddled along the waterfront while Orlando took long exposure photographs. The kayak’s motion makes it effectively invisible, while the paddle’s lights trace out the path of each stroke taken. Scientists also use this kind of technique to follow the path of an object in a flow. In fluid dynamics, we call these remnants of an object’s trajectory a pathline. (Image credit: S. Orlando)

  • Inside the Canopy

    Inside the Canopy

    If you’ve ever gone into the woods on a windy day, you know that conditions there are drastically different than in the open. To blowing wind, trees of different sizes act like enormous roughness that disturbs the flow. Inside the canopy, flows can become incredibly complicated and many of the common techniques used by researchers no longer hold. 

    You can get a sense for this complexity with the second image above, which visualizes data from a wind tunnel experiment. The gray blocks represent roughness elements – the trees of this wind-tunnel-scale forest – and the large, blue arrow shows the direction of the flow. The thin colored lines show the paths taken by particles in the flow. The lines’ colors indicate what height the trajectory began at. 

    Notice how the blue and purple lines are relatively straight and oriented in the direction of the flow. This indicates that the flow here is relatively steady and uncomplicated. At the lower heights, though, especially in the green and yellow regions, the pathlines are far more twisted and complex. The flow here is turbulent, and the particles’ trajectories don’t necessarily correlate at all to the winds higher up. (Image credit: T. Japyassu and R. Shnapp et al.; research credit: R. Shnapp et al.; submitted  by Ron S.)

  • When Chaos is Not So Chaotic

    When Chaos is Not So Chaotic

    In industry, tanks are often agitated or stirred to mix different elements. The goal is to create a laminar but chaotic flow field throughout the mixture. Introducing particles to such a system reveals that things are not quite as chaotic as they might seem. The photographs above show the pathlines of various large, glowing particles initially poured into the tank from above. Over time, the particles scatter off of structures in the mixed sections of the tank and end up trapped in vortex tubes that form above and below the agitator. Once trapped in the vortex tube, the particles follow helical paths inside the tube, creating patterns like those seen in the lower two photos. (Image and research credit: S. Wang et al., 1, 2, 3)

  • Inside a Cello

    Inside a Cello

    At first glance, Adrian Borda’s photograph seems to show an old room. In reality, this is the interior of a cello with light shining through the f-holes. Dust particles in the air trace out pathlines that reveal the turbulent movements of air inside the instrument. Both the camera’s perspective and the visible flow try to trick our minds into seeing something larger than reality. It’s a reminder that the patterns and forms of fluid flow repeat across an enormous range of scales, from millimeters to light-years. (Image credit: A. Borda; via Joseph S./CU Boulder Flow Viz)

  • Bioluminescent Shrimp

    Bioluminescent Shrimp

    Trevor Williams and Jonathan Galione of Tdub Photo captured these beautiful images of bioluminescent shrimp along the Japanese coast. The duo collected the tiny shrimp and poured them over and near rocks to create the effect they wanted. With their blue light, the shrimp act like tracer particles in the water, and with long exposures, the photos track the movements of the shrimp and waves. Technically speaking, they trace out pathlines – the trajectory that a specific fluid (or shrimp) particle takes in a flow. It’s a lovely way of capturing the water’s dynamic motion in a still photo. (Image credit: Tdub Photo; via Colossal)

  • Light Paintings

    Light Paintings

    Photographer Stephen Orlando uses programmable LEDs to create light paintings. Here floating LEDs illuminate a track down a waterfall. In flow visualization terms, this is a pathline because it records the trajectory a particular particle followed through the flow. Streamlines, streaklines, and pathlines are all important concepts for interpreting fluid flow through visualization. To see more of Orlando’s light paintings, including some wonderful portraits of canoeing and kayaking, be sure to check out his galleries. (Photo credit: S. Orlando; via Colossal)