FYFD

Tag: interference

  • Calming the Waves

    Calming the Waves

    Wave action can be a major source of erosion along riverbanks and shorelines. But in a recent study, scientists were able to perfectly absorb incoming waves to create a downstream region with calm, wave-free waters.

    Experimental data shows that waves approaching from the left interact with the resonant chambers and get perfectly absorbed, leaving the water on the right side still.
    Experimental data shows that waves approaching from the left interact with the resonant chambers and get perfectly absorbed, leaving the water on the right side still.

    The group began with a narrow channel that waves could move down. They added two small, side-by-side cavities perpendicular to the channel; as waves travel down the channel, they resonate with the cavities, which reflect and transmit their own waves back into the channel. With the right tuning to the size and spacing of the cavities, the team was able to make the cavities’ waves perfectly cancel the channel’s waves. The group demonstrated this absorption theoretically, numerically, and experimentally.

    Currently, they’ve only managed perfect absorption with a single wave frequency, but an array of cavities should be able to absorb a range of incoming waves. The authors hope their work will one day help protect coastal structures and prevent erosion by countering incoming waves. (Image and research credit: L-P. Euvé et al.; via APS Physics)

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    Colorful Drainage

    Bright colors mark this slowly draining soap film. The film sits slightly off-horizontal, so flow shifts over time from the top of the frame to the bottom. The fluid is also evaporating. All the faster shifts are caused by ambient air currents from the room. The colors of the film are directly related to the local thickness; as the film thins and evaporates, the bright colors shift to darker ones. Eventually, that black region at the top will expand and the film will break up. (Video credit: B. Sandnes/Complex Flow Lab)

  • “Oil Paintings”

    “Oil Paintings”

    To capture his images of auroras, nebulas, and comets, photographer Juha Tanhua points his camera lens downward, not upward. Despite their astrophysical appearance, Tanhua’s “oil paintings” are actually parking lot oil spills. The stars are roughened bits of asphalt, and the colors come from thin film interference in a layer of oil (similar to the way colors appear in soap bubbles). It’s amazing how much beauty he captures in examples of urban pollution. (Image credit: J. Tanhua; via Colossal)

  • Spreading By Island

    Spreading By Island

    How does a droplet sinking through an immiscible liquid settle onto a surface? Conventional wisdom suggests that the settling drop will slowly squeeze the ambient fluid film out of the way, form a liquid bridge to the solid beneath, and spread onto the surface. But for some droplets, that’s not how it goes.

    While watching a glycerol droplet settle through silicone oil, researchers discovered a new mechanism for wetting. Initially, the silicone oil drained from beneath the drop, as expected. But then the thinning of the film stalled. Tiny bright spots (above) appeared beneath the light and dark interference fringes of the parent drop. These are spots of glycerol, formed when material from the main drop dissolved into the oil and then nucleated onto the solid surface below. Over time, the island-like spots of glycerol grew. Eventually one grew large enough to coalesce with its parent drop (below), causing the glycerol to quickly spread over the solid surface!

    Islands nucleate and grow beneath a droplet until they're able to coalesce with the parent droplet above.
    Islands of liquid (darker rings) grow beneath a parent drop (brighter rings) until reaching a size where they coalesce, causing the interference fringes to disappear.

    The key to this phenomenon seems to be that immiscibility isn’t perfect. Even trace amounts of solubility between the drop and surrounding fluid are enough to allow these islands to form. And once formed, the islands will grow as long as the drop fluid and the solid surface are chemically attractive. (Image, research, and submission credit: S. Borkar and A. Ramachandran; see also Nature Behind the Paper)

  • Swimming in Line

    Swimming in Line

    When swimming in open waters, it pays to keep your ducks (or your goslings!) in a row. A recent study examined the waves generated behind adult water fowl and found that babies following directly behind them benefit from their wake. In the right spot behind its mother, a duckling sees 158% less wave-drag than it would when swimming solo. That’s such a large reduction that the duckling actually gets pulled along! And the advantage doesn’t just help one duckling; a properly-placed duckling passes the benefit on to its siblings as well. So any duckling that stays in line has a much easier time keeping up, but those who slip out of the ideal spot will have a much tougher time. (Image credit: D. Spohr; research credit: Z. Yuan et al.; via Science News; submitted by Kam-Yung Soh)

  • Wrinkles on Collapsing Bubbles

    Wrinkles on Collapsing Bubbles

    As a bubble sitting on a pool collapses, wrinkles form around its edges. Visually, the result is quite similar to the wrinkles one gets on an elastic sheet. Unlike the solid sheet, though, the bubble’s film varies in thickness; we know this because of the fringes shown in the enlarged inset of the poster. Researchers are studying this non-uniformity to see whether it affects the number and shape of wrinkles that form on the bubble. (Image and research credit: O. McRae et al.)

  • Psychedelic Soap Film

    Psychedelic Soap Film

    Macro images of a soap film burst with color. Because the color comes from interference between light waves bouncing off the inner and outer surfaces of the soap film, the colors we see correspond directly to the thickness of the soap film. So the patterns we see reflect actual flows and variations inside the soap film. It’s not unusual for the patterning on a soap film to become increasingly complicated as the film drains and ages. Eventually black spots — areas too thin for interference to show visible colors — will appear and grow, and the film will pop.

    If you’re interested in trying out some soap film photography for yourself, Professor Andrew Davidhazy has a nice description on his website of the set-up he used for this photo. (Image credit: A. Davidhazy; via Flow Vis)

  • Submarine Canyons Focus Waves

    Submarine Canyons Focus Waves

    In winter months Toyama Bay in Japan can get hammered by waves nearly 10 meters in height. These waves, known as YoriMawari-nami, pose dangers to both infrastructure and citizens, and, thus far, are not captured by typical forecasting models.

    A new study indicates that these waves have their origin in the particular topography of Toyama Bay and the physics behind the double-slit experiment. The shape of Toyama Bay is such that only waves from the north-northeast can propagate all the way to shore. That restriction essentially creates a single, coherent source for waves in the bay.

    The bay is also home to submarine canyons that stretch like underwater valleys from the continental shelf down toward the deeper ocean. To the incoming waves, these canyons act much like the slits in the double-slit experiment, creating two sets of waves whose fronts can interfere. In some positions, a wave crest will combine with a wave trough, cancelling one another out. But in other spots, two wave crests will meet and combine, creating the much larger YoriMawari-nami wave.

    Diagram illustrating the similarity of the YM-wave phenomenon to Young's double-slit experiment. By H. Tamura et al.

    Toyama Bay is not the only spot in the world where this phenomenon happens. The same physics is behind some of the most popular surf spots in the world, including Half-Moon Bay in California and Nazaré, Portugal. In all of these cases, properly predicting wave heights requires tracking an extra variable — wave phase — that most models leave out. That’s why forecasters have struggled with Toyama Bay’s waves. (Image credit: wave – M. Kawai, diagram – H. Tamura et al.; research credit: H. Tamura et al.; via AGU Eos; submitted by Kam-Yung Soh)

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    “Aurora”

    In “Aurora”, artist Rus Khasanov uses fluids to create a short film full of psychedelic color and cosmic visuals. As in a soap bubble, the bright colors – as well as the pure black holes – come from the interference of light rays. The colors directly relate to the thickness of fluid, and they allow us to see all the subtle flows caused by variations in surface tension. (Video and image credit: R. Khasanov)

  • Supernumerary Bows

    Supernumerary Bows

    After the rain of Hurricane Florence came the rainbow, or rainbows, in this case. Photographer John Entwistle captured this image of a rainbow with several additional supernumerary bows. The inner fringes seen here form when light passes through water droplets that are all close to the same size; given the spread seen here, the droplets are likely smaller than a millimeter in diameter. Supernumerary rainbows cannot be explained with a purely geometric theory of optics; instead, they require acknowledging the wave nature of light. (Image credit: J. Entwistle; via APOD; submitted by Kam-Yung Soh)