Here on FYFD, we like to show off the artistic side of fluid dynamics. But some researchers are actively studying how artists use fluid dynamics in their art. In this video, they examine one of Jackson Pollock’s painting techniques, in which filaments of paint were applied by flinging paint off a paintbrush. Getting the technique to work requires a fine balance of forces and effects. Firstly, the paint must be viscous enough to hold together in a filament when flung. Secondly, the centripetal acceleration of the rotation must be high to both form the catenary filament and throw it off the brush. And, finally, the Reynolds number needs to be high enough to add some waviness and instability to the filament so that it looks interesting once it hits the canvas. Also be sure to check out the group’s previous work exploring Siqueiros’s painting techniques. (Video credit: B. Palacios et al.)
Tag: centripetal force
Colorful Spirals
Artist Fabian Oefner captures these colorful portraits of fluid instability by dripping acrylic paints onto a metal rod, which is connected to a drill. When the drill is switched on, paint is flung away from the rod, creating these snapshots of centripetal force and surface tension. Note how droplets gather at the ends of the spiral arms like in a Plateau-Rayleigh or a rimming instability. For more, check out Oefner’s webpage, which includes a video showing how the images are made, or his previously featured work, “Millefiori”. (Photo credit: F. Oefner; submitted by Stephen D.)