Ebru is the South West Asian art of painting atop water, similar to suminagashi in Japan or paper marbling in European culture. This video takes you inside the studio of Garip Ay, a Turkish ebru artist, letting you observe some of the tools and techniques he uses. Ay’s painting are incredibly dynamic, transforming from one image to something entirely different as he applies more dye, adds a surfactant, or draws a clean brush through the liquid. (Video and image credit: Great Big Story; artist: G. Ay; via Colossal)
Tag: paper marbling

The Art of Paper Marbling
Known as ebru in Turkey and suminagashi in Japan, the art of paper marbling has flourished in cultures around the world since medieval times. The details of methods vary, but in general, the technique uses a base of oily water to float various dyes and pigments. Artists then use brushes, wires, and other tools to manipulate the dyes into the desired pattern. Paper is spread over the top to soak up the color pattern before being hung to dry. Every print made in this manner is a unique result of buoyancy, surface tension variation, and viscous manipulation. Check out the video above to watch a timelapse video showing the technique in action. (Video and image credit: Royal Hali)


Paper Marbling
Fluid dynamics and art have gone hand-in-hand for centuries. In this video, artist Garip Ay demonstrates one of the coolest fluids-based art techniques: paper marbling. In this technique, artists float ink or paints on a liquid surface, manipulate the colors as desired–in this case to recreate Van Gogh’s “Starry Night”–and then float a piece of paper atop the surface to transfer the image. Multiple cultures around the world developed marbling techniques, dating all the way back to the Middle Ages. Ay is an expert in ebru, a Turkish form of the art. For more of Ay’s art, check out his website and YouTube channel. (Video credit: G. Ay; via Gizmodo)
Paper Marbling
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Suminagashi, the Japanese art of “floating ink”, is one of many methods historically used for paper marbling. In it, a shallow layer of water or other viscous fluid serve as a medium for drops of ink that diffuse across the fluid surface and are manipulated with straws, brushes, or other tools. Once a design is complete, an absorbent surface like paper or fabric is carefully placed on top to preserve the art. Among other applications, the technique has historically been used for calligraphy and book bindings.




